INVASION OF PRIVACY

The plot-soggy sequel to this sister-writing team's debut legal procedural (Motion to Suppress, 1995) further muddies the waters of feisty lawyer Nina Reilly's Lake Tahoe past. Suffering physical and psychological scars from the shooting that concluded her previous trial, Nina thwarts the Sweet family's attempt to suppress filmmaker Theresa London's sleazy documentary about the 12-year-old disappearance of their teenage daughter Tamara. While waiting in Nina's office, London, a lynx-clad femme fatale with all the requisite screws loose, coyly suggests to Nina's 11-year-old son, Bob, that he find his biological father. Bob asks for help from p.i. Paul von Waggoner, who is about to ask Nina to marry him. Paul finds Kurt Scott, an expatriate former Tahoe forest ranger and Nina's first lover, playing Bach fugues in Germany. Something more than nostalgia brings Scott back to Tahoe, where he is arrested after fleeing the scene of Terry London's murder, Terry's garbled, dying videotaped confession suggesting that Scott fired the rifle that killed her. The authors have enough respect for legal ethics to have Nina at least question the numerous conflicts of interest before deciding to defend her former lover. But the plot is made even more cumbersome when Scott, having seen Terry's documentary, breaks out of jail and locates Tamara Sweet's remains. Then Nina discovers that her brother, Matt, who takes tourists parasailing on the lake, may be involved in Terry's murder. Savoring their novel's resort setting, the O'Shaughnessys offer glimpses into the kinky lives of a casino showgirl, a burned- out hippie guitarist, and his monster-truck driving son. Occasional outbursts of droll humor relieve Nina's lugubrious concerns about what effect so much twisted melodrama will have on her son. Overplotted, then, and frequently silly, though redeemed by local color, screwball dialogue (``first we make love, then you won't take my calls''), and grimly realistic insider stuff about lawyers at their best and worst.

Pub Date: Aug. 1, 1996

ISBN: 0-385-31413-2

Page Count: 419

Publisher: Delacorte

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 1996

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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