It’s a book to be read at random, too intense to digest in a single reading, but a worthy addition to any history buff’s...




"Fiction reveals truth that reality obscures," Emerson wrote, a thought that underpins 46 short pieces assembled by Ayrton (The Alphabet Garden, 1995) to define the "treacherous blundering tragi-comedy" that history labels World War I.

Ayrton has drawn from writings of major authors recognized for work of that era—William Faulkner, Erich Maria Remarque, Siegfried Sassoon—but readers seeking a new perspective will also find fiction set in the Balkans, Gallipoli, and among mountain campaigns where Serbs, Croats, Greeks, Turks and Romanians fought and bled, froze and died. Most striking are pieces written by former Volunteer Aid Detachment workers, mainly upper- and middle-class women who left lives of privilege to find themselves among shot-off faces, gassed lungs and amputated limbs in "stinking yellow water and grey-green foaming soap, with bloody bandages and cotton wool floating in it. Suppurating, nauseating cotton wool." Mary Borden was a wealthy Chicago woman who personally financed a field hospital. Borden also worked as a nurse, and her pieces range from the melancholy to a spare dialogue script of doctors crammed into an operating tent—a lung lacerated by three bullet holes is patched, a gangrenous leg is amputated, and a man with a mortal stomach wound begs for water. Some pieces are reportorial. Some are surrealist. Others are grotesque, such as Faulkner’s "Crevasse," in which marching troops plunge into a mass grave. And then there are the absurdist, such as Hašek’s "Švejk Goes to the War." Every piece gives voice to the "timeless confusion, a chaos of noise, fatigue, anxiety and horror" that is war on the industrial scale. American readers will appreciate the perspectives of writers who focus on the experiences of colonial troops or the celebrated German Ernst Jünger, or Vahan Totovents, who explores the origins of Armenian genocide. 

It’s a book to be read at random, too intense to digest in a single reading, but a worthy addition to any history buff’s library.

Pub Date: Sept. 15, 2014

ISBN: 978-1-60598-649-4

Page Count: 504

Publisher: Pegasus

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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