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DANGEROUS COMPANY

Name: DANGEROUS COMPANY
Author: Peter Bart
ISBN: 1-4013-5190-5

DARK TALES FROM TINSELTOWN

by Peter Bart ‧ RELEASE DATE: Nov. 26, 2003

Proof that truth must indeed be stranger than fiction, since tales like these, for all their brisk, sad veneer, couldn’t...

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Variety editor Bart’s first foray into self-identified fiction is a cycle of stories featuring the residents and hangers-on at Hollywood’s fashionable Starlight Terrace.

“This is Hollywood . . . everything’s a little on the bogus side,” says Zsa Zsa Gabor–inspired realtor Evan Vaine, née Vajna, inventor and promoter of Starlight Terrace. And indeed nothing could be more bogus than the screenwriting talents of Sidney Garman, the former golden child who’s fronting for a surprising collaborator, or the Botox-inhibited facial expressions of Denise Turley, whose 52-year-old face has lost more than its lines in her latest desperate bid for a role. Todd Plover, coming out to the production company he serves as co-president, is greeted by sympathy as shallow as it is widespread; Tom Patch, the heartthrob who’s trying to bury his dread approach to the big Four-O by flirting with still another flight attendant, is ludicrously insincere; a son of Middle America gets a trendy ethnic makeover only to be rejected as “too ethnic”; and every drink scalawag agent Justin Braun shares with his ex-partner only sinks him deeper into trouble. Occasionally, Bart touches deeper chords, as with the conflicted censor determined to take an indiscreet shot out of an indie film that moved her or the two adopted teens who share more than a sex life and a congenital medical problem. For the most part, though, he hugs the surface so resolutely that the stories’ main hook is their teasing intimation of real-world models from Kevin Costner to Lew Wasserman. Only “Hard Bargain,” in which a producer’s theft of a down-and-out film doctor’s lover conceals a twist dangerous to all hands, stands on its own as a successful story.

Proof that truth must indeed be stranger than fiction, since tales like these, for all their brisk, sad veneer, couldn’t stand on their own for a minute without the tabloid promise of real-life prototypes.

Pub Date: Nov. 26, 2003

ISBN: 1-4013-5190-5

Page Count: 208

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2003

Categories:

GENERAL FICTION

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SUMMER ISLAND

by Kristin Hannah ‧ RELEASE DATE: March 1, 2001

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

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Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.