A first outing by Yale critic Brooks (Reading for the Plot, 1984, etc.) carries us across many years, several oceans, and countless worlds into the Arcadia of 18th-century Tahiti. In France during the last days of the ancien rÇgime, advancement in the world of politics and fashion had to be plotted as carefully as any military campaign. It helped immensely to possess a title, but that was no guarantee of success, as the young Prince Charles of Nassau-Siegen discovers to his chagrin. Noble but penniless, Charles has the good fortune to become the lover of the powerful Comtesse de Lesdiguieres, only to incur her wrath by taking as his mistress the beautiful (but plebeian) actress Mademoiselle Arnould. So much for his life at Court. Charles has to find his fortune abroad now, so he volunteers as an officer aboard the Boudeuse, which is just setting sail for an expedition to the South Seas. “While my story is of an immense voyage,” he says, “this is not a tale of the sea.” Quite right, too: It’s a tale of Tahiti and what’s to be found there. After enduring the hardships of life at sea and witnessing the brutality of the South American colonies, none of the crew is prepared for the beauty and innocence of the Polynesian isles. Arriving in 1769, they—re the first white men to set foot on Tahiti, a land of such natural abundance that agriculture is unknown and labor practically nonexistent. Even more wonderful are the Tahitian women, so finely featured and elegant that they seem scarcely human. Charles himself soon falls in love with the beautiful Ite, but his sojourn is cut short when the Boudeuse has to go back to France. He then faces the dilemma of returning to the gray land of Europe without Ite or remaining forever in an alien paradise. Engaging, well-paced, and intelligently written. The story itself is very old hat, but the spirit is there in full force. Don—t leave, Charles!
Pub Date: Feb. 1, 1999
ISBN: 0-684-85333-7
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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