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CLOSER TO THE SUN

In a finely wrought third novel from Gadol (The Mystery Roast, 1992, etc.), a young man whose longtime lover has recently died of AIDS tries to rebuild his life in a remote southern California canyon. After his lover dies, Brad Gray drifts from Manhattan to California, house-sitting his way across the country until, outside of Los Angeles, he finds a long-term gig at the top of Encantado Canyon. Aimless even before his lover's death, his one vague reason for heading West had been to drown himself in the Pacific, but once in California, he becomes fascinated by a young married couple he spies across the canyon. By themselves, Helen and Ethan Zayne are rebuilding the house they lost in a Ventura fire the year before. Inevitably, Brad is drawn to the two, who not only lost their home but, shortly before that, their three-year-old son. Having once aspired to be an architect himself, Brad winds up pitching in to help the Zaynes build a house that could save their marriage: ``It was the only way for them to get their life back, to reconstruct it themselves, with their own hands.'' And by working with the Zaynes, the still-grieving Brad gives himself a chance to rise from the ashes. In the telling, Gadol weaves together images of reconstruction and regeneration—of the land, buildings, and peoplein prose that's at its most evocative and powerful in describing the scarred landscapes and the subtle interplay that takes place among the damaged characters. All three have self- destructive tendencies, and, even as they're house-building, they're only a splinter away from torching their salvation. In a summer of record heat, Helen and Brad further jeopardize their lives by breaking into other houses simply to be in air conditioning. And when the fire season flares up again, all three are literally forced to choose between life and death. A multi-storied, strongly written novel of loss and renewal.

Pub Date: Jan. 1, 1996

ISBN: 0-312-14084-3

Page Count: 256

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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