TRUMPET BLUES

THE LIFE OF HARRY JAMES

Leading jazz publicist Levinson makes his literary debut with this biography of the late bandleader, who in the ’40s and ’40s established himself as a rival to Benny Goodman and Tommy Dorsey, among others. James’s early years were particularly formative, as he was born to parents who devoted much of their lives to performing for the circus. “Young Harry first met his public at the age of 11 days, when his parents introduced him to the circus audience,” Levinson writes. With his look at the life of circus entertainers in the early part of the century, Levinson hooks the reader immediately. He makes James’s progression from childhood circus performer to budding musician at age 12” when he was “the youngest circus bandleader in the world”—a seamless evolution. By the early 1930s, when James was struggling to succeed as a trumpet player, the reader has a strong sense of his musical growth. It wasn’t until December 1936, when Goodman—who would stay friends with James throughout their lifetimes, despite their competition for bookings—invited him to join his band, that the trumpeter became a star. Levinson captures the era well, citing the impact of WWII on popular music, telling stories of the biggest stars of the time (including Goodman, Dorsey, James’s hero Louis Armstrong, Lionel Hampton, and Frank Sinatra, whom James helped discover by giving the “kid” his first recording gig) and the bigotry integrated big bands faced on the road. To his credit, Levinson, while hardly ignoring James’s legendary womanizing, gambling, and drinking, as well as his lengthy marriage to pinup queen Betty Grable—ultimately victimized by all of James’s vices—avoids turning the bandleader’s life into a melodramatic soap opera. Instead, he concentrates on the music. Impressive, and a fascinating read not only for fans of jazz, but for students of 20th-century history, Hollywood, and the music business.

Pub Date: Oct. 1, 1999

ISBN: 0-19-511030-7

Page Count: 384

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1999

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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