by Peter Rock ‧ RELEASE DATE: March 12, 2009
A moving evocation of life on the fringes, sparking many questions about our regulated society.
Does Father know best? His teenage daughter is forced to wonder after they’re evicted from their city-park cave in this harrowing fifth novel from Rock (Writing/Reed Coll.; The Bewildered, 2005, etc.).
Caroline and Father had lived in the spacious park in Portland, Ore., for four years, Caroline tells us via her journal. After Caroline’s mother’s death, Father and Caroline were temporarily separated, but when Caroline was nine Father removed her secretly from her foster parents in Idaho. They have made a stable home for themselves in a Portland park. Father is scrupulous about housekeeping. He supervises her education; dictionaries and encyclopedias do the rest. Caroline has taught herself about the forest. She knows where the morels are. She can climb trees and smell animals. Though Father is strict, he allows her to roam. (He’s a vet, a recovering alcoholic and a Thoreauvian idealist; we don’t know more than that.) The 13-year-old will look back on these as happy years; no friends, true, but she has her talisman Randy, a plastic horse. For his little autodidact, Rock has found just the right voice: forthright, with a singular purity. As a result, we care enormously about her fate. Everything changes for the pair when a jogger discovers their hideaway. Armed cops break it up. Father and Caroline are put in the custody of separate social workers. Once they find no evidence of abuse, they settle the pair on a horse farm; Father is to do chores, while Caroline will go to a regular school. No, decides Father. “Regular won’t fit you.” They steal away, back to Portland, living on the streets despite the newly assertive Caroline’s protests. Father makes dumb mistakes and becomes increasingly paranoid, though his devotion to Caroline is constant. Away from the city again, in the mountains, Father will make his dumbest mistake, leading to catastrophe. Caroline’s intuition, keener than his own, might have saved them.
A moving evocation of life on the fringes, sparking many questions about our regulated society.Pub Date: March 12, 2009
ISBN: 978-0-15-101414-9
Page Count: 240
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2009
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by John Steinbeck ‧ RELEASE DATE: Sept. 19, 1952
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.
Tremendous in scope—tremendous in depth of penetration—and as different a Steinbeck as the Steinbeck of Burning Bright was from the Steinbeck of The Grapes of Wrath.
Here is no saga of the underprivileged—no drama of social significance. Tenderness, which some felt was inherent in everything Steinbeck wrote, is muted almost to the vanishing point in this story of conflict within character, impact of character on character, of circumstances on personalities, of the difficult acceptance of individual choice as against the dominance of inherited traits. The philosophy is intimately interwoven with the pace of story, as he follows-from New England to California over some fifty odd years-the two families which hold stage center. There are the Trasks, brothers in two generations, strangely linked, strangely at war the one with the other; there are the Hamiltons (John Steinbeck's own forebears), a unique Irish born couple, the man an odd lovable sort of genius who never capitalizes on his ideas for himself, the tiny wife, tart, cold-and revealing now and again unexpected gentleness of spirit, the burgeoning family, as varied a tribe as could be found. And- on the periphery but integral to the deepening philosophy which motivates the story, there is the wise Chinese servant scholar and gentleman, who submerges his own goals to identify himself wholly with the needs of the desolate Adam Trask, crushed by his soulless wife's desertion, and the twin boys, Cal, violent, moody, basically strong enough to be himself—and Aron, gentle, unwilling to face disagreeable facts, beloved by all who met him. In counterpoint, the story follows too the murky career of Adam's wife, Cathy—who came to him from a mysteriously clouded past, and returned to a role for which she was suited—as a costly whore, and later as Madame in Salinas most corrupt "house," where the perversions of sex ridden males were catered to—and cruelty capitalized upon.Shock techniques applied with rapier and not bludgeon will rule the book out for the tender-skinned.
But John Steinbeck, the philosopher, dominates his material and brings it into sharply moral focus.Pub Date: Sept. 19, 1952
ISBN: 0142004235
Page Count: 616
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Sept. 1, 1952
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