Part page-turner and part aesthetic treatise, Rock’s (Spells, 2017, etc.) latest is, like the currents of the Great Lakes,...

THE NIGHT SWIMMERS

“Part of my pleasure of swimming in open water, especially at night, is that it makes me afraid.”

In the summer of 1994, our unnamed narrator, a 26-year-old aspiring writer, meets Mrs. Abel, the mysterious young widow with whom he voyages by night through the swells and currents of Lake Michigan. To the narrator, and to the summer community on Wisconsin’s Door Peninsula, Mrs. Abel is an enigma: She’d been married to Mr. Abel, whose name she wears like a keepsake throughout the novel, for less than a month before his death, and the cabin that she’s inherited is so sparsely decorated that everything in it—her husband’s now-scentless clothes, a wooden bird carved by a friend, a painting by Charles E. Burchfield of a forest fire marching toward a cabin—seems to possess, in the narrator’s eyes, the significance of an artifact, of objects kept because they serve as mementos of missing people or missing times. By swimming together at night, Mrs. Abel and the narrator build a secret relationship out of their shared passion—but the relationship ends prematurely when one night near summer’s close the swimmers arrive upon a strange shoal far from shore and, while exploring it, Mrs. Abel somehow disappears. Twenty-ish years later, the narrator—now a successful novelist who lives with his wife and two daughters in Oregon—is reconstructing that summer, trying to get closer to who he was, and who Mrs. Abel was, and what happened that night on the water. To do so, he pours over the artifacts left behind by that time—photographs and artworks frequent the text, as do letters to and from his ex-girlfriend. He floats in a sensory deprivation tank, studying “the past, the future, [and] the hypothetical…hidden beneath the surface” of his thoughts. He consults Rilke, Burchfield, and Chekhov, among many others. And, most significantly, he writes—thus creating out of life’s artifacts a new artifact, this book, which serves as keepsake for both Mrs. Abel and the narrator’s youth, referring eyes back upon them across the years.

Part page-turner and part aesthetic treatise, Rock’s (Spells, 2017, etc.) latest is, like the currents of the Great Lakes, subtle and haunted, deeply complex and “quietly…sinister”; his readers, like his swimmers, ought to know “that the currents of the subsurface are likely to be moving.”

Pub Date: March 12, 2019

ISBN: 978-1-64129-000-5

Page Count: 272

Publisher: Soho

Review Posted Online: Dec. 11, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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A deeply satisfying novel, both sensuously vivid and remarkably poignant.

THE UNSEEN

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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