by Peter Rock ‧ RELEASE DATE: March 12, 2019
Part page-turner and part aesthetic treatise, Rock’s (Spells, 2017, etc.) latest is, like the currents of the Great Lakes,...
“Part of my pleasure of swimming in open water, especially at night, is that it makes me afraid.”
In the summer of 1994, our unnamed narrator, a 26-year-old aspiring writer, meets Mrs. Abel, the mysterious young widow with whom he voyages by night through the swells and currents of Lake Michigan. To the narrator, and to the summer community on Wisconsin’s Door Peninsula, Mrs. Abel is an enigma: She’d been married to Mr. Abel, whose name she wears like a keepsake throughout the novel, for less than a month before his death, and the cabin that she’s inherited is so sparsely decorated that everything in it—her husband’s now-scentless clothes, a wooden bird carved by a friend, a painting by Charles E. Burchfield of a forest fire marching toward a cabin—seems to possess, in the narrator’s eyes, the significance of an artifact, of objects kept because they serve as mementos of missing people or missing times. By swimming together at night, Mrs. Abel and the narrator build a secret relationship out of their shared passion—but the relationship ends prematurely when one night near summer’s close the swimmers arrive upon a strange shoal far from shore and, while exploring it, Mrs. Abel somehow disappears. Twenty-ish years later, the narrator—now a successful novelist who lives with his wife and two daughters in Oregon—is reconstructing that summer, trying to get closer to who he was, and who Mrs. Abel was, and what happened that night on the water. To do so, he pours over the artifacts left behind by that time—photographs and artworks frequent the text, as do letters to and from his ex-girlfriend. He floats in a sensory deprivation tank, studying “the past, the future, [and] the hypothetical…hidden beneath the surface” of his thoughts. He consults Rilke, Burchfield, and Chekhov, among many others. And, most significantly, he writes—thus creating out of life’s artifacts a new artifact, this book, which serves as keepsake for both Mrs. Abel and the narrator’s youth, referring eyes back upon them across the years.
Part page-turner and part aesthetic treatise, Rock’s (Spells, 2017, etc.) latest is, like the currents of the Great Lakes, subtle and haunted, deeply complex and “quietly…sinister”; his readers, like his swimmers, ought to know “that the currents of the subsurface are likely to be moving.”Pub Date: March 12, 2019
ISBN: 978-1-64129-000-5
Page Count: 272
Publisher: Soho
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Share your opinion of this book
More by Peter Rock
BOOK REVIEW
by Peter Rock
BOOK REVIEW
by Peter Rock
BOOK REVIEW
by Peter Rock
More About This Book
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Share your opinion of this book
More by Janice Hadlow
BOOK REVIEW
by Mhairi McFarlane ‧ RELEASE DATE: March 24, 2020
McFarlane has created a very funny, very romantic story with deep emotional impact.
A jilted British attorney gets more than she bargained for when she agrees to a fauxmance with the office playboy.
Laurie Watkinson has a corporate law job she loves, dear friends, and Dan, her dependable live-in boyfriend who works in the same firm. When Dan sits her down one evening, Laurie expects anything but to hear him say he's moving out; and then to hear soon after that he has a new girlfriend. Hoping for a bit of revenge, newly single Laurie agrees to pose as “Phony Goddess” to “Greek God” Jamie Carter, her new colleague and a known “soulless womanizer.” Jamie is gorgeous and charming but needs to appear settled to secure a promotion, and he thinks earning the affection of Laurie, the firm’s “golden girl,” is the surest route. Jamie and Laurie are attracted to one another, make each other laugh, and, they learn, have childhood trauma in common. Jamie is a classic playboy felled by love who’s written endearingly and convincingly: “I scoffed at the idea anyone could make you see your life through new eyes and I’m so, so glad to be wrong.” Laurie’s intelligence and acerbic wit—especially as they relate to navigating English society as a woman of color—are strengths that can obscure uncomfortable feelings. Thanks to a selfish, absentee father, an unconventional mother, and, she now realizes, a partner who never encouraged her to grow as a person, Laurie puts her own desires last. Giving the novel an expanded palette beyond the romance, Laurie’s friendship with Jamie is just one of several changes in behavior and attitude that help her to regain a sense of her own agency and importance. McFarlane’s gift is writing romantic comedy that depicts a recognizable world—in this case, the culturally diverse world of young professionals in Manchester, England—without dimming the luster of shining moments of humor, love, and connection.
McFarlane has created a very funny, very romantic story with deep emotional impact.Pub Date: March 24, 2020
ISBN: 978-0-06-295850-1
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Share your opinion of this book
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.