At age ten, David Glasgow Farragut became the youngest midshipman ever assigned to a warship in the United States Navy. In a series of fictionalized letters written to his father, Farragut relays the capture of his ship and three-week imprisonment pending parole. Beginning March 29, 1814, aboard a prison ship in Valparaiso, Chile, and ending April 20, 1814, on the 23rd day of captivity, the letters flash back to the time when Farragut’s father sent him to serve Captain Porter following his mother’s death. Porter is posted to the ship, Essex, which sets sail in the war against England. As one of the ship’s 11 midshipmen, Farragut faced many obstacles because of his age and particularly because of his small size. The voice in the letters rings with determination and strength, shaping the character of the young man whose name would stand in history. The eight black-and-white scratchboard illustrations in McCurdy’s signature technique are equally commanding, building the strength of the narrative with hewn details of ship life and creating still life images of the drama of the action. A glossary defines nautical terms and the authors’ note cites the sources for their research that includes Farragut’s own accounts of his life. An unusual presentation that could spark interest in this exceptional young man. (Historical fiction. 8-11)
Pub Date: April 1, 2002
ISBN: 0-689-83022-X
Page Count: 48
Publisher: Atheneum
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2002
Categories: CHILDREN'S GENERAL CHILDREN'S
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Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 28, 2019
Kirkus Reviews Issue: May 15, 2019
Categories: GENERAL GRAPHIC NOVELS & COMICS | CHILDREN'S GENERAL CHILDREN'S
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