An intriguing artifact for hardcore fans but an unremarkable entry point for new readers.

MRS. GOD

A scholar is invited to an eerie scholarly retreat in this melancholy blast from the past.

At the end of the 1980s, Peter Straub (A Dark Matter, 2010, etc.) was in a rough patch, having spent three years writing Koko (2011), a bleak story about murderous Vietnam veterans to which the author was emotionally attached. It was that loss that inspired this dreary novella, which was published in a very limited edition in 1990, and is now unleashed on the general reading public. The book is almost myopically centered on Professor William Standish, an undistinguished poetry researcher who believes a unique scholarship will provide a leg up on his career—not to mention a welcome reprieve from the daily haranguing from his pregnant wife Jean, already suffering from an early miscarriage. In short order, Standish has accepted an offer from Esswood House, a little-known British library known for supporting D.H. Lawrence and T.S. Eliot, among others. Standish’s fascination is with a distant relative, Isobel Standish, who published a single volume of poetry in her lifetime, Crack, Whack and Wheelin 1912. Straub does inject his characteristically subterranean sense of ordinary menace into Standish’s journey, starting with a short but near-violent encounter with the locals at a pub. “The fellow was murdered there,” the barman tells him offhandedly. Then we’re off into the labyrinthine Esswood House, tended by the even more impenetrable custodian Robert Wall. There, as Standish begins to unravel the mysteries of Isobel’s life, he starts to become a bit unraveled himself, obsessing over his wife’s impending birth and experiencing dark and disturbing visions. The writing is fine, but the story folds in on itself without ever really delivering either a genuine scare or emotional resonance. Like the novella form itself, it’s a hard act to characterize—neither a true ghost story nor an Edgar Allen Poe–like portrait of a psychological schism.

An intriguing artifact for hardcore fans but an unremarkable entry point for new readers.

Pub Date: Feb. 15, 2012

ISBN: 978-1-605698-304-2

Page Count: 192

Publisher: Pegasus Crime

Review Posted Online: Dec. 5, 2011

Kirkus Reviews Issue: Dec. 15, 2011

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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