As usual with Japanese-thriller expert Tasker (Buddha Kiss, 1998, etc.), an expat British securities executive, the real fun...
Post-boom malaise leaves Japan vulnerable to empty-headed politics, aging terrorists, and the predations of her big jealous neighbor on the mainland.
Life in the near future is nothing like the ’80s for the Japanese. Lifetime employment is dead, real-estate values have evaporated, and college graduates are shining shoes. One of the few holdovers from sunnier times is the hideously unhelpful government established by the ever-less admired Americans after the war. Locked into an endless cycle of back-scratching, competition-mashing, and guilt-absolving, the iron triangle of politicians, bureaucrats, and big industrialists seems impotent in the face of the financial recession. But at this darkest moment, a political star is rising out of the world of, god help us, pop music. Nozawa, a sort of Nipponese Springsteen with an even larger sense of his mission on earth than The Boss, seems to be pulling together a viable opposition to the historic ruling party. With guidance from his savvy manager, Nozawa has spun the adulation of his fans into political gold. Martine Meyer, stateless polyglot reporter for The Tribune, is one of the few who publicly question the strangely quick rise of the pop star to the top of the power heap. Anonymous but helpful e-mails have combined with her deep reportorial instincts to spur an investigation of the charismatic crooner, a labor that nearly estranges her from her microbrewer boyfriend. As the singer’s sun rises, unsavory events multiply. A black American soldier is framed for murdering a schoolgirl, an American warplane crashes into a city center. Just as Martine is getting a grasp on the story, the new bureau chief is pulling the rug from under her. Will she uncover the machinations of an evil Chinese faction that’s combined with the radical dreams of an aging lady terrorist before Japan blows up?
As usual with Japanese-thriller expert Tasker (Buddha Kiss, 1998, etc.), an expat British securities executive, the real fun is in the superb local scenery, not the heavy-breathing plot.Pub Date: April 1, 2003
ISBN: 4-7700-2948-9
Page Count: 272
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2003
BOOK REVIEW
BOOK REVIEW
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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