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DRAGON DANCE

As usual with Japanese-thriller expert Tasker (Buddha Kiss, 1998, etc.), an expat British securities executive, the real fun...

Post-boom malaise leaves Japan vulnerable to empty-headed politics, aging terrorists, and the predations of her big jealous neighbor on the mainland.

Life in the near future is nothing like the ’80s for the Japanese. Lifetime employment is dead, real-estate values have evaporated, and college graduates are shining shoes. One of the few holdovers from sunnier times is the hideously unhelpful government established by the ever-less admired Americans after the war. Locked into an endless cycle of back-scratching, competition-mashing, and guilt-absolving, the iron triangle of politicians, bureaucrats, and big industrialists seems impotent in the face of the financial recession. But at this darkest moment, a political star is rising out of the world of, god help us, pop music. Nozawa, a sort of Nipponese Springsteen with an even larger sense of his mission on earth than The Boss, seems to be pulling together a viable opposition to the historic ruling party. With guidance from his savvy manager, Nozawa has spun the adulation of his fans into political gold. Martine Meyer, stateless polyglot reporter for The Tribune, is one of the few who publicly question the strangely quick rise of the pop star to the top of the power heap. Anonymous but helpful e-mails have combined with her deep reportorial instincts to spur an investigation of the charismatic crooner, a labor that nearly estranges her from her microbrewer boyfriend. As the singer’s sun rises, unsavory events multiply. A black American soldier is framed for murdering a schoolgirl, an American warplane crashes into a city center. Just as Martine is getting a grasp on the story, the new bureau chief is pulling the rug from under her. Will she uncover the machinations of an evil Chinese faction that’s combined with the radical dreams of an aging lady terrorist before Japan blows up?

As usual with Japanese-thriller expert Tasker (Buddha Kiss, 1998, etc.), an expat British securities executive, the real fun is in the superb local scenery, not the heavy-breathing plot.

Pub Date: April 1, 2003

ISBN: 4-7700-2948-9

Page Count: 272

Publisher: Kodansha

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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