A poetic, poignant rendering of one of the most difficult jobs on the planet.
A debut collection focuses on a historical moment in the field of public health as seen through an operative on the front lines.
As Barber explains in a preface, he worked for nearly three decades as a disease intervention specialist for the Rhode Island Department of Health, first in the STD unit and then in the HIV/AIDS Division, a move reflected in the hybrid title. He also carefully points out that the works presented here refer to the epidemic’s earlier days, when many considered a positive HIV result to be a death sentence. This collection of 67 short pieces features free verse, prose, and a unique combination of the two as the author witnessed a wide swath of humanity struggling at the intersection of surprise, shame, anger, and recrimination. The first lines of the opening poem, “A Stranger Knocks,” immediately capture the interplay between mistrust and necessity in this delicate dance: “And the stand-off begins of trying / to get more information than give.” In “Gotta Dance,” at the end of the first section, readers familiar with the history of HIV/AIDS will surmise that the purplish lesions Barber notices on a patient’s face were most likely Kaposi’s sarcoma. Thus, the poem’s placement and content mark the dawn of a new public health crisis, which altered and sharpened the author’s duties, raising the stakes even higher. While the majority of the pieces focus on his patients—their surroundings and reactions—at times the author considers how this profession takes a toll on his own psyche, instilling an overwhelming sense of guilt. In “Mission of Devastation,” one of the book’s most powerful poems, he likens himself to “a B-17 over Hamburg” during World War II. After upending lives, he had the privilege of retreating to relative safety, which he characterizes as “the / comforts of Thai food, a book, a booth.” Still, amid all of this sorrow, Barber and some of his patients were able to find mordant humor under difficult circumstances, a gift for everyone involved, including readers. But in “Darkness Visible,” the author closes on a somber, futile note, invoking the Beatles’ “Eleanor Rigby.” Here he reflects on the totality of his work “that most of the time leaves me feeling somewhere / between / a messenger boy and Father McKenzie. / Nobody saved.”
A poetic, poignant rendering of one of the most difficult jobs on the planet.Pub Date: April 9, 2019
ISBN: 978-1-977204-97-4
Page Count: 98
Publisher: Outskirts Press
Review Posted Online: Feb. 27, 2020
Kirkus Reviews Issue: April 1, 2020
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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