by Philip Allen Green ‧ RELEASE DATE: Sept. 3, 2015
Well-written stories about keeping one’s head and humanity amid the rawness of emergency medicine.
Sixteen short stories explore the urgent tensions of life and death in a rural hospital’s emergency room.
Although the stories and characters in emergency-medicine physician Green’s debut collection are fictional, he bases them on real experience, giving readers an insider’s look at a rural trauma ward. Unsurprisingly, several stories deal with loss, tragedy, and the difficulty of letting go. Others touch on misdiagnoses of character: a seemingly neglectful meth-head mother turns out to be a good Samaritan (“Saviors”); in “Family,” an alcoholic and annoying ER regular redeems himself by running off a threatening pill-seeker and becomes the hospital’s trusted security guard (“sometimes all a person needs is a chance to prove himself”). Big-city ERs are commonly the setting for medical dramas, so the particular challenges of an understaffed and remote emergency department will be less familiar to readers, and the stories exploring these particular challenges are among the collection’s strongest. “This is the only ER in town. I am the only ER doctor awake in the county right now,” writes the narrator (also called Dr. Green) in “The Crew.” He’s awakened at 2 a.m. for an incoming trauma: four teenagers dead or dying from a car accident on prom night. In the big city, a team of 20 specialists might be on hand; here, the trauma team is one doctor (himself), two nurses, and a respiratory tech. The title comes from a private joke—they call themselves “the crew that do,” which is “a quiet comfort in the middle of the night.” They need this comfort even more on this night; doing the math, Dr. Green realizes that there is a “one-in-fourteen chance that one of our kids was in that car.” It’s the paradoxical, poignant condition of their work that, to function well, they have become a tightknit family who can shut down their emotions—even if it could mean coding one of their own family members. Some stories veer beyond poignancy into the sentimental, however, as in “Transitions,” about a high-school athlete whose death motivates her team to win the state championship.
Well-written stories about keeping one’s head and humanity amid the rawness of emergency medicine.Pub Date: Sept. 3, 2015
ISBN: 978-1-51-190002-7
Page Count: 162
Publisher: CreateSpace
Review Posted Online: Oct. 30, 2015
Review Program: Kirkus Indie
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This is a masterly novel. It will appeal to all lovers of fiction of the first order.
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.
The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.
This is a masterly novel. It will appeal to all lovers of fiction of the first order.Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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