A fine collection of tales about people dancing frenetically on the edge of doom.
Celebrities—and some ordinary people—keep the party going as the AIDS plague gathers in these elegiac stories of gay life in the 1980s.
Walker’s debut collection imagines encounters between iconic gay men, drag queens, clubgoers, and warmly empathetic female divas in a vibrant but increasingly shadowed demimonde where news of the deaths of friends becomes routine. Designer Halston, Andy Warhol, and Liza Minnelli attend a fashion show and then repair to Studio 54 to snort cocaine and toss off bitchy one-liners; flamboyant rocker Freddie Mercury escorts Princess Diana, dressed as a man, to a London bar where she takes in a man impersonating her; a humble handyman bonds with Jacqueline Kennedy Onassis when they visit a gay bar in New York; an aging Rock Hudson, unaware of his coming rendezvous with the HIV virus, cruises a gay nightclub and finds a hot young thing who still considers him a stud; a San Francisco drag queen channels Billie Holiday and Josephine Baker while Bette Midler beams from the audience; an average-looking gay man feels he is safe from the mysterious disease he dubs the Hot Guy Flu because it only seems to strike the handsomest men. And in the title story, artist Keith Haring erupts in spontaneous image-making at a Danceteria party, with Madonna herself belting out a benediction to him. Walker registers and skillfully evokes the intensely image-bound nature of these boldfaced names—a coked-up Minnelli is “bubbling, a bit manic, laughing. Like a tall puppet”—but also manages to give these brittle narcissists inner lives of needy vulnerability. His supple, fluent prose evokes the inchoate dread haunting the frantic party scene (“The strobe lights from the balcony flickered in just the right way so that, for a second, everyone looked as if they were frozen in time, suspended from the ceiling by wires”). Too cleareyed for nostalgia, this volume paints an evocative, painful, but sympathetic portrait of a cultural watershed.
A fine collection of tales about people dancing frenetically on the edge of doom.Pub Date: Nov. 15, 2016
ISBN: 978-1-941960-05-9
Page Count: -
Publisher: Squares & Rebels
Review Posted Online: Jan. 25, 2017
Kirkus Reviews Issue: March 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
