Medical thriller set in a decaying Philadelphia hospital for the inner-city poor. In Payback (1991), ex-reporter George Gray got the goods on big-time crooks, then blackmailed them, which he knows is more painful to the crooks than jail time. This time out, George visits an old friend in Clarke Hospital who dies in unnecessary pain. Piqued, Gray smells graft afloat in the halls and checks himself in as a heart-attack victim, a state he knows how to simulate. (Even so, the staff nearly loses him!) George sneaks about, pops open files, and finds that pain-ridden patients are being cheated on their morphine and expensive drugs by being given placebos or useless, cheap substitutes. Someone is racking up millions off patients' pain. And patients are also silently being murdered by a serial killer who stalks the halls—ironically, the hospital's most respected healer, Dr. John A. Walker, the brilliant, tireless, ever-helpful, assistant chief of critical care and white god of the interns and other residents. Sad to say, Walker's a big sickie who gets a kick out of strangling old ladies or jabbing elderly men with naughty needles that stop the breath. What's more, Walker is bedding hospital administrator Nancy Abbott, who runs the drug scam and signs Walker's bodies out to nursing homes that never receive them (they go into pauper's graves) but that bill the government for payments to be split with Abbott and Walker. Meanwhile, George Gray falls in with terrific resident Molly Hale, who helps him break into files. But little does Molly know that Walker regularly etherizes her while she sleeps off-duty in the hospital, strips her down, and enjoys God's handiwork. Walker's motivation as a killer: to experience ``final fear'' in those he murders and overcome it in himself. Less striking than Payback, with Gray cracking secrets faster than a ferret, but the lore about the money-side of hospitals is top-notch.
Pub Date: July 2, 1993
ISBN: 0-671-74532-8
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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