Knockout first novel by ``the combined talents of a Pulitzer Prize-winning journalist and a criminal psychologist''—a psychothriller already optioned for film. George Gray, an ex-reporter, has found a new use for investigative journalism. He locates big-money bad guys in real estate or other endeavors, gets the goods on them, then threatens them with exposure in print and with jail terms unless they make full restitution on their misdeeds—and also give him a juicy cut. (``That's the payback. Blackmail. You end up calling the shots, telling them what to do and making them pay you. They hate it more than any jail.'') Gray thinks that this act makes reporting seem impotent: where the reporter drops his ink bomb and then sits back to watch, Gray follows through and himself runs criminals through the wringer—and he's done this many times. But this time out he's nearly torn to ribbons by attack dogs and by a psychotic second-in- command, Reidus, who enjoys inspired modes of inflicting pain, often letting his victims live to experience their pain to the full. At one point Reidus even breaks Gray's leg like balsa wood. He also appears as unkillable as Frankenstein's monster and rises incredibly from the dead to go on with his horrors. He works for master swindler Carlton, who is emptying a Philadelphia suburb of its blue-collar inhabitants, one by one, and buying up their property on a grand scale, supposedly to build a mall and a spanking new community (he's really just after investors' money). Gray falls in with Sara Mitchell, daughter of Carlton's former partner whom Carlton drove to suicide. Sara herself has become a supertrained killing machine—but is she a match for Reidus? Rich in every way, about detection, newspapering, real estate, with sly echoes of The Maltese Falcon.
Pub Date: Oct. 1, 1991
ISBN: 0-671-72328-6
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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