Intelligent and sympathetic, but overlong and unfocused.

JOHN LENNON

THE LIFE

Comprehensive biography of the Beatles’ most outspoken and controversial member, whose murder by a demented fan in 1980 only added to his legacy.

Norman wrote one of the first and still one of the best Beatles histories (Shout!, 1981), and though he claims to have corrected many “inaccuracies and misjudgments” from that earlier work, there just isn’t much new to say about the group’s historic, hysterical popularity or John Lennon’s role in it. The author, who is also a veteran novelist (Everyone’s Gone to the Moon, 1996, etc.), tries to compensate by giving an in-depth account of Lennon’s early years, stressing the lifelong rage and fear of abandonment instilled by familial instability. He was raised by his Aunt Mimi after his father left, while his mother Julia lived nearby with her lover. Lennon was traumatized by Julia’s death in 1958, when he was 17. Norman takes a long time to get to the formation of the Beatles; the extraordinary songwriting partnership with Paul McCartney (who gets kinder assessment here than in Shout!); the group’s seasoning in the tawdry clubs of Hamburg; their first taste of the mania they inspired in female fans when they played Liverpool’s Cavern club in 1961; their breakthrough into national stardom thanks to manager Brian Epstein’s and record producer George Martin’s nurturing of their talent; the paradigm-shattering American tour of 1964; and the rest of the familiar tale, retold here with care but little passion. The author is frank enough about Lennon’s insecurities and capacity for cruelty to have alienated his widow, Yoko Ono, who initially cooperated with Norman but withdrew her endorsement after reading the manuscript, concluding it was “mean to John.” It isn’t. Norman’s fully three-dimensional portrait has no evident axe to grind, but it’s also hard to tell why he bothered. He’s particularly perfunctory with the post-Beatle years, evincing respect but no real affinity for Lennon’s political radicalism and avant-garde adventures with Ono.

Intelligent and sympathetic, but overlong and unfocused.

Pub Date: Oct. 7, 2008

ISBN: 978-0-06-075401-3

Page Count: 864

Publisher: Ecco/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2008

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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