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GOODBYE MEXICO

Jennings is still no threat to Christopher Buckley, and he’s a little too long-winded, but amusing.

The heroes from Jennings’s whimsical 2005 Nam-A-Rama pop up in mid-1970s Mexico, where the president’s life is on the line and the world’s prostitutes have revolution on the brain.

Jack Armstrong is again the straight man in this peppy and cynically cheerful look at what could happen if the whores ran the bordello. Now working for the CIA, Armstrong is the temporary officer in charge of the CIA office at Mexico City’s American embassy, but he’s about to be replaced by Major Crenshaw, a fanatical Catholic who has just arrived in town riding on a burro ready to implement a bizarre personal agenda. Also just arriving is Jack’s relentlessly droll chum Gearhardt, who has at last acquired a first name: “Pepe,” as the many ladies of the evening who populate the great city insist on calling him. Jack is pleased but plenty surprised to see his old chum. Gearhardt was said to have died three years ago, and life’s been lonely without him. Life’s also been simpler. Gearhardt complicates everything and explains nothing. For example, he fails to explain why Marta, the gorgeous and spectacularly endowed Cuban lass he installs in Jack’s apartment, spends her every waking hour in the nude. Or why she has a pistol strapped to her thigh. Nor does he explain believably why it would be a really good idea for Jack to talk a thuggish acquaintance of Marta’s into shooting the president of Mexico at the city’s Cinco de Mayo celebration. The story that finally emerges has to do with a plot to blame Cuba for the assassination, thereby opening the island to legitimate invasion. Well, that’s one explanation. Poor Jack gets dragged all over central Mexico as details emerge. Eventually, he comes to understand that Gearhardt has become the ally of the world’s prostitutes and has in mind a sort of Zionist solution for them.

Jennings is still no threat to Christopher Buckley, and he’s a little too long-winded, but amusing.

Pub Date: April 3, 2007

ISBN: 0-765-31661-7

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2007

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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