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FLIGHT 39

A well-executed time-travel tale.

A sci-fi novel tells the story of a pilot sent back to 1939 on a very special mission.

Christoph Wilder is an amazing pilot, as he proves during an emergency landing after losing two engines of his trans-Atlantic passenger jet. Christoph should be a hero, but instead he’s blamed for the death of an elderly passenger, just like his son continues to hold him responsible for the death of his wife in a car accident. When his airline grounds him for good, Christoph takes a vague job with the German Aerospace Center. He learns that his new bosses have developed time-travel technology and plan to try it out in small increments—going back no more than 24 hours in the past. But during the first test run, the plane is hijacked by Christoph’s co-pilot, who has other plans for how to use the breakthrough: “Our destination is November 7, 1939….We will kill Adolf Hitler!” The temptation to avert the worst war in human history may be strong, but what will the effect be on the present? How does this scheme relate to a simultaneous narrative about a man named Herbert Steinmann living in a bunker on some alternative, nuclear-ravaged Earth? And, if he survives all of this, can Christoph harness the technology to reverse the worst event of his own timeline, the accident that killed his wife? Peterson (Paradox 2, 2018, etc.) writes in a polished, muscular prose that replicates the calm, pragmatic voice of his pilot protagonist: “Christoph knew that with the waves of the North Atlantic, they had no chance of landing the huge aircraft….The wings would be torn off, the cabin would overturn and the wreckage, with the passengers still strapped in their seats, would sink like a stone.” The author takes a while getting to the novel’s main action, though this gives him time to assemble the backstories of Christoph and the other characters. The book is more thoughtful than its simple premise suggests, and while the plot follows the typical time-travel narrative arc, Peterson does a good enough job hiding the ball that the twists feel satisfying.

A well-executed time-travel tale.

Pub Date: April 3, 2018

ISBN: 978-1-987580-76-1

Page Count: 260

Publisher: Time Tunnel Media

Review Posted Online: July 25, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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