A memorable look at the joys and tribulations of growing up in a small town during a bygone era.

THE TROUBLE WITH GRITS...

A historical novel offers a collection of stories about life, love, and family in the rural South.

Evangeline “Vangie” Tanner has returned to her girlhood home in Collins, Mississippi, to mourn the loss of her beloved father. While digging through her memory box, Vangie uncovers an assortment of knickknacks that trigger sweet and poignant recollections of her childhood. Her memories are a window to the past, small moments that allow glimpses of larger social issues through a child’s eyes. There is ample humor throughout the novel, as Vangie recalls incidents such as her father slapping the preacher after the man startled him awake. There’s a thread of nostalgia as well, as Vangie muses on first dates and crazy relatives. But the cozy reflections do not mask the darker realities of a Southern community in mid-20th-century America. Women are expected to “get married and have a passel of children.” An African-American youth named Willie T. Clifford breaks off his friendship with Vangie because of their differing skin colors. The story about Rachel Katz, Vangie’s Jewish neighbor, is particularly striking. When Miss Rachel is attacked for her Jewish heritage, the neighbors murmur about the shame of it all. Vangie astutely observes the display of hypocrisy by most residents of Collins who refuse to take responsibility. This charming novel, a 2017 Faulkner Finalist, goes down like sweet tea on a warm summer night, a glass of refreshment and comfort. Pittman (Pony Tales, 2014, etc.) is an evocative writer. Her characters are well-defined, springing to life from the page in witty conversations and vibrant descriptions. Each story could stand alone, though they are all tied together through Vangie’s memory box. And each tale moves Vangie’s own life forward, eventually landing the small-town girl in Europe, where she discovers her future path. The author admirably balances the lightness of some stories with heavier themes of race, religion, heritage, and family.     

A memorable look at the joys and tribulations of growing up in a small town during a bygone era.

Pub Date: June 1, 2018

ISBN: 978-1-73231-740-6

Page Count: 248

Publisher: Serendipity Press

Review Posted Online: Sept. 13, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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