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Sticks

A spooky, surreal ghost story that’s elevated by its humanity.

Awards & Accolades

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  • Kirkus Reviews'
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In this literary ghost story/psychological thriller, a woman is forced to confront her past when sticks begin appearing out of thin air.

“There was another stick,” begins this novel, words that sound simple—but the reality is terrifying to Barbara. Until recently, she was living a dull but settled life. But then Nothing began to produce broom handle–sized sticks from Nowhere right in her apartment. She can find no rational explanation for them or for the other strange things and people (a muscular black woman, a little girl with long braids) she begins to see and sense. The sticks keep coming, and so does Barbara’s dead father. Divining that he wants her to investigate his supposed suicide, she returns to her hometown. Her mother and brother still live there, the brother believing his bunker mates from Vietnam, which he left four years ago, are still present and speaking to him. The family’s undercurrents are disturbing: Barbara’s mother beat her children and is still controlling and abusive, while her father “was witty and likable to outsiders…but he was cruelly cynical at home.” As Barbara investigates his death, her brother plans, crazily, to kill her. She suffers great personal and psychological danger, finding nevertheless at the end of her ordeal that there is untapped potential within herself. In her debut novel, Greene orchestrates Barbara’s increasing horror well, raising the pitch with each new strange encounter while deepening the sense of dread. For example, an early remark, “Barbara’s relationship with her father became as intimate as it had been in childhood,” takes on sinister meaning as the novel develops. The plot is dark and gets darker, but at the same time, Greene threads subtle notes of possible connection throughout: the black woman sneers but offers advice and help; the child tells her “I can help you find love.” Moments of sly humor leaven the novel as well. Satisfyingly, the place Barbara gets to is as hard-won as any explorer’s mountaintop or ocean depth. Barbara earns it, and so does Greene.

A spooky, surreal ghost story that’s elevated by its humanity.

Pub Date: May 24, 2017

ISBN: 978-1-5431-5326-2

Page Count: 199

Publisher: CreateSpace

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 15, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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