A spooky, surreal ghost story that’s elevated by its humanity.

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Sticks

In this literary ghost story/psychological thriller, a woman is forced to confront her past when sticks begin appearing out of thin air.

“There was another stick,” begins this novel, words that sound simple—but the reality is terrifying to Barbara. Until recently, she was living a dull but settled life. But then Nothing began to produce broom handle–sized sticks from Nowhere right in her apartment. She can find no rational explanation for them or for the other strange things and people (a muscular black woman, a little girl with long braids) she begins to see and sense. The sticks keep coming, and so does Barbara’s dead father. Divining that he wants her to investigate his supposed suicide, she returns to her hometown. Her mother and brother still live there, the brother believing his bunker mates from Vietnam, which he left four years ago, are still present and speaking to him. The family’s undercurrents are disturbing: Barbara’s mother beat her children and is still controlling and abusive, while her father “was witty and likable to outsiders…but he was cruelly cynical at home.” As Barbara investigates his death, her brother plans, crazily, to kill her. She suffers great personal and psychological danger, finding nevertheless at the end of her ordeal that there is untapped potential within herself. In her debut novel, Greene orchestrates Barbara’s increasing horror well, raising the pitch with each new strange encounter while deepening the sense of dread. For example, an early remark, “Barbara’s relationship with her father became as intimate as it had been in childhood,” takes on sinister meaning as the novel develops. The plot is dark and gets darker, but at the same time, Greene threads subtle notes of possible connection throughout: the black woman sneers but offers advice and help; the child tells her “I can help you find love.” Moments of sly humor leaven the novel as well. Satisfyingly, the place Barbara gets to is as hard-won as any explorer’s mountaintop or ocean depth. Barbara earns it, and so does Greene.

A spooky, surreal ghost story that’s elevated by its humanity.

Pub Date: May 24, 2017

ISBN: 978-1-5431-5326-2

Page Count: 199

Publisher: CreateSpace

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 15, 2017

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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