A vicious, hilarious satire of bond traders and, by extension, the prevailing mindset of corporate America. This audacious first novel (by a former salesman for First Boston) echoes the biting tone of Catch-22. Rather than cogs in an absurd war machine, however, Bronson's protagonists are desk-bound hustlers trying to sell complicated and shady corporate bonds to the gullible or to those who know the government will bail them out when the bonds go belly-up. Caught in a cycle of making outrageous commissions for meeting outrageous quotas, the traders at Atlantic Pacific push themselves to physical and psychological ruin just to keep up. Sid Geeder loathes every new bond that management forces him to sell; because he hates the whole racket, he tries to bankrupt it by moving as many bonds as possible—which perpetually keeps him at the top of the heap as ``King of Mortgages.'' Geeder's position is threatened by Eggs Igino, a young hotshot who is such a good salesmen that he palms off breakfast futures on his fellow traders. But Iginio's genius leads him to the radical thought that maybe the bonds in which corporate America wallows are not ethical, a conclusion that creates a crisis for Sid and the entire firm. This couldn't come at a worse time, as Atlantic Pacific is trying to float bonds on the Dominican Republic in order to claim the nation as a corporation, then take it over and exploit its assets. Fast-paced, enlivened by a cast of odd yet believable characters, Bronson's debut is filled with wit and storytelling sleight of hand that will have readers alternating tears of laughter with tears of despair over the state of our financial institutions. Required reading for politicians and financiers, in hopes that it will make them think twice about the way they're mortgaging America's future. Required reading for everyone else, just because it's so much fun. (Author tour)
Pub Date: March 1, 1995
ISBN: 0-679-43541-7
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1994
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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