Next book

THE KINDNESS

Broken relationships and damaging silences, presented from deliberately misleading angles, add up to a readable, clever,...

A tricky tale of deceptions—some well-meant—and infidelities winds together an attractive woman’s fractured love life and an open-hearted man’s intense attachment to a child.

Passions run deep in noted British writer Samson’s U.S. debut, a novel which opens with the brutal end of Julia's marriage to Chris and her escape into the arms of her younger lover, gifted literature student Julian. Julian will drop out of college to support Julia when they discover she's pregnant, though a miscarriage follows. Julian’s subsequent life as a writer, Julia’s as a landscape designer, their move to an idyllic cottage called Firdaws where Julian spent his childhood, the birth of their daughter, Mira, and the child's sudden, terrible illness are just a few of the ensuing events, narrated by Samson in four acts spanning 23 years and conveyed from various perspectives. While the first and last sections are brief, the middle two are expansive, the second verging on baggy, allowing the author ample space for a looping narrative that repeatedly tantalizes the reader about events and expectations, moving back and forth within the story’s timeline and delivering the facts in sly drips at unexpected intervals. The technique is provocative, as are some of the plot swerves—a car crash; a withdrawal into silence for many years; an assumption of adultery—all of which play crucial roles. With its sensuous prose and blend of romance, disappointment, amazing sex, and exquisite domestic interiors, the novel hovers somewhere between conventional commercial fiction and something rather more ambitious.

Broken relationships and damaging silences, presented from deliberately misleading angles, add up to a readable, clever, teasing, but naggingly overcomplicated story.

Pub Date: July 21, 2015

ISBN: 978-1-63286-067-5

Page Count: 336

Publisher: Bloomsbury

Review Posted Online: April 27, 2015

Kirkus Reviews Issue: May 15, 2015

Categories:
Next book

A PERMANENT MEMBER OF THE FAMILY

Old-fashioned short fiction: honest, probing and moving.

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Aug. 31, 2013

Kirkus Reviews Issue: Sept. 15, 2013

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Next book

HOMEGOING

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.

Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.

A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.

Pub Date: June 7, 2016

ISBN: 978-1-101-94713-5

Page Count: 320

Publisher: Knopf

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

Close Quickview