by Poppy Z. Brite ‧ RELEASE DATE: March 1, 2004
Showy, but seldom the great Balzac Ian roars of kitchen hell.
Famed stylist Brite (Lost Souls, 1992) abandons the horror field to follow her bliss into a mainstream novel set in the food world and restaurants of her adopted home, New Orleans.
Most recently (Plastic Jesus, 2000), Brite took on John Lennon and Paul McCartney as alter egos for her heroes, but her style had none of the soaring excess that powers her best work, nor was she up to finding prose equal to the Beatles’ sublimity, as she was able for R.Crumb’s penwork and Charlie Parker’s bop sax in Drawing Blood. Exquisite Corpse was a splatterpunk stunt. Aside from descriptions of original alcohol-soaked viands, this outing finds Brite restrained to bloodlessness. Two gay cooks, Rickey and G-man, who’ve been best friends since childhood and now live together, drink together, and often work together in kitchens of varied New Orleans restaurants, aspire to open their own restaurant and present a cuisine whose every dish is laced, soaked, spiced or in some way flavored with fine liquors. The restaurant’s name: Liquor. This offers Brite some fancy moments, as in describing a tender (nonalcoholic) Gulf shrimp appetizer “spiked with tasso ham, tossed in a spicy beurre blanc, set atop a pool of five-pepper jelly, and garnished with pickled okra. The dish had a bright, complex flavor: first you tasted the sweetness of the shrimp and butter, then the gastrique’s sourness and the tart burn of the peppers.” The author brings more energy to her cooking, though, than to her plot, which turns on the two lads being backed by high-roller Lenny Duveteaux, who may have crooked reasons for backing them. One waits for a Mafia tie to rise up and add some oregano to the French cuisine. But it’s not forthcoming, and we’re left with a villain who is a cokehead chef who hates Rickey, wants to do him in, but fails in villainous brilliance.
Showy, but seldom the great Balzac Ian roars of kitchen hell.Pub Date: March 1, 2004
ISBN: 1-4000-5007-3
Page Count: 352
Publisher: Three Rivers/Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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