For the adventurous, then: wonderfully well told.



Expanded from a novella that first appeared in Douglas E. Winter’s anthology Revelations (1997), the silkily textured tale of two boys sold to a Peking Opera troupe is now a full-fledged transvestite fantasia.

In late-1930s Hong Kong, six-year-old Ji Fung is sold to the troupe by his crazy mother, who then murders the rest of the family and sets herself afire. Ji Fung falls in love with Lin Bai, a boy who plays women and is raped nightly by the company’s Master Lau. After several years, the Lucky Dragon café dismisses the troupe and turns to jazz. As Lau is about to kill Ji Fung, Lin Bai spears the master instead, and the boys hide out. They fall in with Perique, a wealthy French-Chinese hedonist, and later uncle Gong Sut Fo, a top Triad mobster, rescues Ji Fung from gangsters and gives him a job: he must deliver a lacquered box to Shanghai. But in Shanghai, Ji Fung, Lin Bai (in drag), and Perique are at a jewelry counter when falling bombs kill Perique, embedding his handsome face and eyes with diamonds, emeralds, and slivers of crystal: “Precious stones glittered in the flayed meat of his cheeks.” Lin Bai dies of his wounds, and Ji Fung leaves for Hollywood. By 1945, he’s an Asian bit player who tends bar on weekends, fights his emptiness, and lusts after transvestite café singer Tansy Chan. Tansy (Victor) is only one of many cross-dressers, including hard-boiled mystery screenwriter Blake Blackline (really Nan Blake), who skulk across the page as the novel shifts into artfully bloody Hollywood noir, while weaving in unflinching depictions of bigotry against gays and Asians. Then the story leaps into the present. Be warned: graphic sex splits the page and puts an Eastern shimmer on a boy’s “silken muscle”; it won’t be to everyone’s taste.

For the adventurous, then: wonderfully well told.

Pub Date: May 3, 2004

ISBN: 1-931081-40-9

Page Count: 200

Publisher: Subterranean Press

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2004

Did you like this book?

No Comments Yet

An enjoyable, cozy novel that touches on tough topics.


A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?