by Prateek Goorha ‧ RELEASE DATE: Oct. 26, 2017
A prospective technology-driven future enriched by an endlessly funny protagonist.
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In Goorha’s witty debut novel, the world adjusts to a company’s revolutionary computerization of businesses, an efficient method that leaves some people shortchanged.
Henry Pash laments his failure to patent his idea (not immediately revealed to readers). According to the Chief Patent Officer, his idea isn’t ideal since it’s not likely to result in something tangible. Henry later encounters the more successful George Wells, CEO of Wellspring, the company behind Botzec technology. A Botzec is a computer designed to take over the role of business executives, often replacing multiple execs and reducing costs so substantially that employment actually increases. Not surprisingly, the chiefs rebel and respond by launching the Save the Executives Movement. But Henry also witnesses the unexpected fallout of Wellspring, which moves into the education sector and leads to teachers losing their jobs. The company continues to grow into what’s practically a global takeover: purchasing banks, automating traffic, and creating a new legal tender of Well-credits, or W-creds. Moreover, aiding governments in establishing a new regulatory system prevents individuals or groups from identifying Wellspring as a monopoly. Henry fortunately has a bit of good news. His pal Kevin inadvertently discovers that Henry’s algorithm (his idea that the patent office dismissed) generates quality music, including rather poignant lyrics. Though its original purpose was entirely different, it turns out the algorithm might be better at maximizing business productivity than Wellspring. This could precipitate serious competition for Wells’ company, regardless of Henry’s reluctance to monetize his algorithm. Despite much of it resembling a cautionary tale of a technology takeover, Goorha’s story is persistently amusing. This, in large part, is courtesy of Henry’s first-person account. He has a tendency to interrupt people, sometimes with a mere thought or, as in one scene, by munching loudly on a piece of toast. But while he may be an annoyance to other characters, he’s a veritable comic gem as a narrator. In one scene, Henry finds friend Stephanie’s presentation on Botzecs so tedious he counts the bricks in a wall and ducks out for a coffee. He still manages to drop snippets of insight, even when he’s verbose: “You cannot look kindly on a friend who asks you about the make and design of the dagger stuck in your back, when you are telling him how profusely it makes you bleed.” The story, meanwhile, steadily progresses, complemented by a refusal to either laud or rebuke technological advancement. Wellspring, for example, does occasionally provide humans with paid positions, while a few sympathetic characters may be more avaricious than they initially appear. Lighter narrative touches are further improvements: Henry’s older brother, Guy, makes not a single appearance but displays a bold personality via reports of his insults (simply seeing Henry evidently turns his stomach). The ending befits the story’s overall subdued tone; it’s quiet but indelible, a denouement steeped in irony and a weighty notion or two for readers to ponder.
A prospective technology-driven future enriched by an endlessly funny protagonist.Pub Date: Oct. 26, 2017
ISBN: 978-1-84897-966-6
Page Count: 152
Publisher: Olympia Publishers
Review Posted Online: Dec. 14, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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