A derivative vampire tale about a late-in-life romance



A debut novella tells the story of a widow who falls in love with a vampire.

Fifty-nine-year-old Jasmine hasn’t sought out romance since the death of her husband. Rather, she’s lived a quiet life as a surgical nurse and accepted—reluctantly—that her physical desirability will continue to decline with age. Soon after her retirement, she introduces herself to the mysterious guy who has moved in across the street—a man who seems to react very poorly to sunlight. He has a secret to share with her, though he warns that she must be open-minded: “He confessed to me that he was a vampire: the undead, if it were to be known, and that he had lived for centuries.” Jasmine quickly becomes infatuated with the vampire, Baron, going so far as to devise a scheme involving transfusion blood (“I mentioned that I could still visit people I knew in the hospital where I had worked, and may be able to get hold of a bottle”). In return, Baron shows Jasmine the ways of vampire life and society, including his extended family and the dangers posed by hunters of the undead. When Baron proposes making Jasmine his bride, she must weigh the advantages—wealth, companionship, everlasting life—against the tricky morals of having to kill people in order to survive. Bertrand writes in a delightfully direct, plainspoken prose, telling most of her story as exposition: “I asked him if vampires could fall in love, and he said that he once had a great love, but he could not accept the way she mutilated bodies.” But the rarity of true scenes and dialogue keeps readers at a distance from the characters, as does a lack of substantial interiority or emotional depth. Jasmine accepts Baron’s lifestyle with so little reservation that readers will wonder about her sanity and ethics, but she lacks the sort of character complexity that would allow these issues to be properly explored. The tropes and boundaries of the vampire genre have been flipped and redrawn many times over in the past decade, and in such a context, Bertrand’s take feels underwhelming. The book wraps up quickly at only 104 pages, though a cliffhanger ending suggests a sequel.

A derivative vampire tale about a late-in-life romance

Pub Date: Sept. 26, 2017

ISBN: 978-1-5255-0857-8

Page Count: 72

Publisher: FriesenPress

Review Posted Online: March 15, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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