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FACE TIME WITH A VAMPIRE

A derivative vampire tale about a late-in-life romance

A debut novella tells the story of a widow who falls in love with a vampire.

Fifty-nine-year-old Jasmine hasn’t sought out romance since the death of her husband. Rather, she’s lived a quiet life as a surgical nurse and accepted—reluctantly—that her physical desirability will continue to decline with age. Soon after her retirement, she introduces herself to the mysterious guy who has moved in across the street—a man who seems to react very poorly to sunlight. He has a secret to share with her, though he warns that she must be open-minded: “He confessed to me that he was a vampire: the undead, if it were to be known, and that he had lived for centuries.” Jasmine quickly becomes infatuated with the vampire, Baron, going so far as to devise a scheme involving transfusion blood (“I mentioned that I could still visit people I knew in the hospital where I had worked, and may be able to get hold of a bottle”). In return, Baron shows Jasmine the ways of vampire life and society, including his extended family and the dangers posed by hunters of the undead. When Baron proposes making Jasmine his bride, she must weigh the advantages—wealth, companionship, everlasting life—against the tricky morals of having to kill people in order to survive. Bertrand writes in a delightfully direct, plainspoken prose, telling most of her story as exposition: “I asked him if vampires could fall in love, and he said that he once had a great love, but he could not accept the way she mutilated bodies.” But the rarity of true scenes and dialogue keeps readers at a distance from the characters, as does a lack of substantial interiority or emotional depth. Jasmine accepts Baron’s lifestyle with so little reservation that readers will wonder about her sanity and ethics, but she lacks the sort of character complexity that would allow these issues to be properly explored. The tropes and boundaries of the vampire genre have been flipped and redrawn many times over in the past decade, and in such a context, Bertrand’s take feels underwhelming. The book wraps up quickly at only 104 pages, though a cliffhanger ending suggests a sequel.

A derivative vampire tale about a late-in-life romance

Pub Date: Sept. 26, 2017

ISBN: 978-1-5255-0857-8

Page Count: 72

Publisher: FriesenPress

Review Posted Online: March 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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