by Qian Julie Wang ‧ RELEASE DATE: Sept. 7, 2021
A potent testament to the love, curiosity, grit, and hope of a courageous and resourceful immigrant child.
How one little girl found her way through the terror, hunger, exhaustion, and cruelty of an undocumented childhood in New York's Chinatown.
Since the absolute necessity of going through the world unnoticed was drummed into her from the moment she arrived in the U.S. in 1994, perhaps it is no surprise that Wang, a graduate of Yale Law School on her way up as a litigator, had deeply buried the memories of the 7-year-old girl who came with her Ma Ma to Mei Guo—America, or “beautiful country.” There they joined her father, whose life had been brutalized by the Cultural Revolution (“he would happily eat America's shit before feasting on China's fruits"). The family lived off trash-picking and working in sweatshops and frigid sushi processing plants, even though both parents had been professors in China. As a child, Wang snipped threads and shivered in a huge plastic bodysuit right alongside them. She taught herself English in a public school that sent her to a special needs classroom and forgot about her. She lied and blustered her way through the humiliating social network of elementary school, often with poor results. Her only friend at times was a kitten she fed off her own tiny plate until her father blamed it for their bad luck and drove it away. When she left this life behind, she spoke not a word of it until the xenophobia that crescendoed during the 2016 election cycle made her break her silence. Engaging readers through all five senses and the heart, Wang's debut memoir is a critical addition to the literature on immigration as well as the timeless category of childhood memoir. As saturated in cultural specificity as classics like Angela's Ashes and Persepolis, the narrative conveys the unique flavor and underlying beliefs of the author's Chinese heritage—and how they played out as both gifts and obstacles in the chaotic, dirty maelstrom of poverty.
A potent testament to the love, curiosity, grit, and hope of a courageous and resourceful immigrant child.Pub Date: Sept. 7, 2021
ISBN: 978-0-385-54721-5
Page Count: 320
Publisher: Doubleday
Review Posted Online: July 5, 2021
Kirkus Reviews Issue: July 15, 2021
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SEEN & HEARD
SEEN & HEARD
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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BOOK REVIEW
by Brandon Stanton photographed by Brandon Stanton
by Michelle Obama with Meredith Koop ‧ RELEASE DATE: Nov. 4, 2025
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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