by Querus Abuttu ‧ RELEASE DATE: Oct. 15, 2014
A riveting tale that will excite and enlighten many readers, although its violence may repulse a few.
In Abuttu’s sci-fi/thriller debut, human-animal hybrids try to survive in a world outside the lab while military operatives and others with sinister intent pursue them.
Miriam Wetzel and Ben Skylar’s top-secret scientific project to create pig-humans seems to be on the verge of failure until two of a sow’s 11 fetuses manage to survive. The scientists are funded by the Cullers, a covert group led by a man named Harper on behalf of the U.S. military. When a tornado destroys their South Dakota lab and most of their research, Miriam and Ben pack their bags and the babies, a girl named Binah and a boy named Gevu, and head to California. Later, a man comes to the scientists’ aid following a major road accident; he apparently sees too much, which leads to his execution. Meanwhile, Chet, a former Army Ranger, is plotting with an outside organization to take the babies for themselves. The pig-humans mature and acquire knowledge rapidly and soon escape their government captivity with Miriam and Ben’s help. But soon more attempts at breeding and cloning pig-humans ensue. Abuttu’s novel has shades of horror and science fiction, but its thriller elements drive the plot, including quite a number of abductions and betrayals. Dark but fascinating plot turns abound, such as the revelation of the military’s purpose for the original experiment and how one person effectively orchestrates an epidemic—and why. The decidedly adult story features very graphic violence, including scenes involving rape, torture, and amputation. However, Abuttu’s story is also allegorical even if it’s occasionally too on-the-nose: “Humans were the beasts,” Gevu realizes after witnessing atrocities at a pig farm.
A riveting tale that will excite and enlighten many readers, although its violence may repulse a few.Pub Date: Oct. 15, 2014
ISBN: 978-0-9960527-0-2
Page Count: 392
Publisher: Scary Dairy Press
Review Posted Online: Aug. 3, 2017
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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