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BEAUTIFUL FOOLS

THE LAST AFFAIR OF ZELDA AND SCOTT FITZGERALD

Spargo writes with animation and fervor, a style conducive to the heat generated by his subjects.

Yet another addition to the spate of novels about Scott and Zelda, this one concentrating less on the toxic and more on the loving side of their relationship.

Spargo has an unconventional take on the Fitzgeralds here. Except for a brief introduction set in 1932, when Zelda is first hospitalized for schizophrenia, the novel takes place in April of 1939, on their extended vacation to Cuba. “Vacation” is, however, a circumlocution, for two personalities as intense and brittle as Scott and Zelda can’t ever be said to kick back, relax and temporarily forget about their “normal” lives, for there is no normal. Scott is deep into (and taking a break from) his illicit affair with Sheilah Graham, and Zelda is between hospitalizations, hoping for some kind of therapeutic epiphany with Scott. In Havana, Scott quickly finds a simpatico drinking buddy in the form of the darkly charismatic Matéo Cardoña, though Zelda is less impressed and worried about his influence over Scott. After a tragic knife fight in a bar, Cardoña tries to cover for Scott and Zelda, who have witnessed the event, for he wishes both to protect and to assert greater power over them. Cardoña is less than pleased when the Fitzgeralds take off for a resort away from Havana and develop a friendship with a newly married couple: Spaniard Aurelio, wounded in the Spanish Civil War, and his French wife, Maryvonne. Their friendship quickly develops an almost erotic quality, as Maryvonne is both flirtatious and seductive with Scott, but Zelda begins to come undone when they visit a Cuban fortuneteller who hints that Scott has been unfaithful to Zelda—and Zelda takes the seer at her word, pressing Scott for details.

Spargo writes with animation and fervor, a style conducive to the heat generated by his subjects.

Pub Date: May 2, 2013

ISBN: 978-1-4683-0492-3

Page Count: 368

Publisher: Overlook

Review Posted Online: March 2, 2013

Kirkus Reviews Issue: March 15, 2013

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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