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THE GOOD GIRL'S GUIDE TO GETTING LOST

A MEMOIR OF THREE CONTINENTS, TWO FRIENDS, AND ONE UNEXPECTED ADVENTURE

Well-written and well-paced, but may have limited appeal.

A memoir of two years in the life of a slightly muddled collegiate who sought clarity by traveling the world on a shoestring budget.

Like so many students nearing the end of their undergraduate studies, Friedman (Literature/John Jay Coll.) had no idea of what would come next. In an attempt to resolve her confusion, she set out for Ireland the summer before her senior year. Wheeling a massively overpacked red suitcase behind her, Friedman settled into a bohemian lifestyle of waitressing, bartending, drinking and dancing in Galway and beyond. An Australian housemate named Carly became the “wise life guide” who showed Friedman the virtues of traveling—and living—without a set plan. A year later, newly graduated from college and as unwilling as ever to settle down, the author gratefully accepted an invitation from Carly to visit her in Sydney. After living, working and traveling around Australia for a few months, Friedman and the ever-restless Carly headed to South America. The two “trapezed” their way across Argentina, Bolivia and Peru, negotiating dodgy accommodations, thieves, dangerous roadways, altitude sickness and food poisoning. Along the way, Friedman discovered that “people and places and experience” were far more important than possessions and that the present moment should be celebrated. Watching the narrator evolve from a fearful, immature young woman into a take-charge traveler is a pleasure, but the author’s insights tend toward the disappointingly banal.

Well-written and well-paced, but may have limited appeal.

Pub Date: May 1, 2011

ISBN: 978-0-385-34337-4

Page Count: 320

Publisher: Bantam

Review Posted Online: April 11, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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