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TO DIE IN SPRING

Searing, haunting, incandescent: Rothmann’s new novel is a vital addition to the trove of wartime fiction.

A reluctant German soldier wades through the final days of the second world war.

Walter Urban is a teenager in 1945, an apprentice on a dairy farm, when he is forced to volunteer for the SS. The war is in its final stages and Germany has begun to run out of soldiers: now, the very young and the very old must fight. Rothmann’s (Fire Doesn’t Burn, 2012, etc.) haunting new novel describes Walter’s experiences during these final months of the war. Assigned to a supply unit, he manages to avoid the front line, serving instead as a driver. The horrors of the war seem to flicker at the corners of his vision. In a field he notices a dozen starving rabbits, “so thin that their ribs showed, and their eyelids were swollen nearly shut,” while a buzzard circles above them. He drives past the bodies of German deserters, strung from the trees like ornaments. This last sight turns out to be a bad omen: Walter’s best friend, Fiete, a smart, caustic boy, critical of the war (“Any idiot can destroy and kill,” he says), eventually tries to run away. Rothmann’s writing is spare and vivid, nearly cinematic. It is also crucial: German accounts of WWII have been relatively rare and slow in coming, especially when it comes to descriptions of their country's own suffering. Rothmann is unflinching in his accounts of both German atrocities and misery. All of this by itself would have made for a spectacular novel, but there is yet another layer to the narrative: it begins and ends a generation later, as Walter is dying. His grown son has given Walter—now a silent, heavy-drinking man—a notebook in which to write his memories. But Walter has left the notebook nearly blank, leaving his son alone to fill in the gaps.

Searing, haunting, incandescent: Rothmann’s new novel is a vital addition to the trove of wartime fiction.

Pub Date: Aug. 8, 2017

ISBN: 978-0-374-27814-4

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 14, 2017

Kirkus Reviews Issue: June 1, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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