by Ramona Ausubel ‧ RELEASE DATE: June 14, 2016
Ausubel’s magical, engrossing prose style perfectly fits this magical, engrossing story.
Fortunes and hearts are lost and found in a modern fairy tale set in the 1960s and '70s.
Ausubel’s (A Guide to Being Born, 2013, etc.) trademark combination of realist narrative with fabulist elements shines in this novel that includes everything from Vietnam War casualties and a West Virginia mine disaster to a road trip with a giant, an escape by sailboat, and children on their own in a wood. It begins on Labor Day weekend, 1976, at the summer house of Fern and Edgar Keating and their three children. Fern receives a call from her family lawyer that not a penny is left of the fortune she was to inherit from her recently deceased parents. And while Edgar could “go back and take over the family steel company in Chicago…[i]t was the very last thing he wanted to do. He would not be able to publish the novel he had spent ten years writing because it was about the son of a steel baron who walks away from his father’s money.” This is a first-world problem to be sure, but it rocks the Keatings’ world. Edgar wanders off to a pot party and gets way too involved with a louche woman in white bell-bottoms named Glory. Meanwhile, Fern is inveigled into playing the bride in a fake wedding put on to entertain Alzheimer’s patients in a nursing home, then takes off for California with her groom, who is literally a giant. Both Fern and Edgar leave town thinking the other is still at home—but in fact, their kids are all alone, with only fourth-grader Cricket to take care of her kindergarten-age twin brothers. Interwoven with this '70s story are sections set in 1965, filling in marvelous detail about Fern's and Edgar’s parents, the early days of their love, and the fate of Fern’s own adored twin.
Ausubel’s magical, engrossing prose style perfectly fits this magical, engrossing story.Pub Date: June 14, 2016
ISBN: 978-1-59463-488-8
Page Count: 304
Publisher: Riverhead
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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