Honest and painful. Readers inclined to lament their own circumstances may brighten up when considering the odds Ollison has...
An elegiac look at a childhood marked by violence, dysfunction, poverty, sorrow—and plenty of good music.
Little Rock native Ollison, former Baltimore Sun pop critic and now a writer for the Virginian-Pilot, opens this memoir with a horrific incident that unfolds like a Greek tragedy, its sad climax the death by bullet of a tiny young sibling, “bow lips parted and baby-doll eyes flung open,” in the arms of the girl who would become his mother. Unhappy memory builds on unhappy memory: there is the brief, shining courtship, then a father who will disappear and appear and disappear again, “often in the streets when he wasn’t nodding off at home or having nightmares that made him scream and jump in bed,” along with a mother who finds no need to express love as long as she puts food on the table, a scary grandmother whose face bore “its usual fuck-you expression,” and a community of children inclined to bewilderment in the face of all that adult confusion. Much of Ollison’s memoir, reminiscent at many turns of Claude Brown’s classic Manchild in the Promised Land (1965), turns on the quest for identity: when his schoolmates shout “faggot,” there’s more at play than they might have realized. But more, what shapes identity and offers hope and even love are the records that Ollison spins, left behind by his father and picked up along the way: Marvin Gaye, Aretha Franklin, Tyrone Davis, Stevie Wonder, and, of more recent vintage, Mary J. Blige (“the wounded warrior voice of my generation”). So powerful are Ollison’s responses to music that readers might wish that he addressed the matter in more circumstantial detail, if at least for dramatic relief from his descriptions of passing events that are often ponderously awful.
Honest and painful. Readers inclined to lament their own circumstances may brighten up when considering the odds Ollison has overcome.Pub Date: Jan. 26, 2016
ISBN: 978-0807057520
Page Count: 240
Publisher: Beacon Press
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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