Honest and painful. Readers inclined to lament their own circumstances may brighten up when considering the odds Ollison has...
An elegiac look at a childhood marked by violence, dysfunction, poverty, sorrow—and plenty of good music.
Little Rock native Ollison, former Baltimore Sun pop critic and now a writer for the Virginian-Pilot, opens this memoir with a horrific incident that unfolds like a Greek tragedy, its sad climax the death by bullet of a tiny young sibling, “bow lips parted and baby-doll eyes flung open,” in the arms of the girl who would become his mother. Unhappy memory builds on unhappy memory: there is the brief, shining courtship, then a father who will disappear and appear and disappear again, “often in the streets when he wasn’t nodding off at home or having nightmares that made him scream and jump in bed,” along with a mother who finds no need to express love as long as she puts food on the table, a scary grandmother whose face bore “its usual fuck-you expression,” and a community of children inclined to bewilderment in the face of all that adult confusion. Much of Ollison’s memoir, reminiscent at many turns of Claude Brown’s classic Manchild in the Promised Land (1965), turns on the quest for identity: when his schoolmates shout “faggot,” there’s more at play than they might have realized. But more, what shapes identity and offers hope and even love are the records that Ollison spins, left behind by his father and picked up along the way: Marvin Gaye, Aretha Franklin, Tyrone Davis, Stevie Wonder, and, of more recent vintage, Mary J. Blige (“the wounded warrior voice of my generation”). So powerful are Ollison’s responses to music that readers might wish that he addressed the matter in more circumstantial detail, if at least for dramatic relief from his descriptions of passing events that are often ponderously awful.
Honest and painful. Readers inclined to lament their own circumstances may brighten up when considering the odds Ollison has overcome.Pub Date: Jan. 26, 2016
ISBN: 978-0807057520
Page Count: 240
Publisher: Beacon Press
Review Posted Online: Sept. 14, 2015
Kirkus Reviews Issue: Oct. 1, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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