Slight, affecting, voluble, exuberant—by a writer who feels life’s even better than he can imagine.


Science fiction grandmaster Bradbury gathers together 25 stories, some half-baked, most unpublished. Calling the collection a “downpour of images from photos, films, cartoons, encounters that have tracked through life without an umbrella,” Bradbury congratulates himself on his long, happy, productive life. Some stories, like “Diane de Foret,” about a man’s mawkish communion with the spirit of a dead French girl “of timeless mythic beauty,” or like the predictable revelation (“One Woman Show”) that a good actress is merely that might have gone back for more cooking. Most, though, bubble over with the manic exuberance of a writer who feels himself so blessed that he travels back in time to save the lives of doomed ones (“The F. Scott/Tolstoy/Ahab Accumulator”) or to change another’s past so he won’t become a drunken wreck (“Quid Pro Quo”). Bad tidings—an unexploded WWII bomb in a wheat field (“The Enemy in Wheat”); the McCarthy-era bugging of a Hollywood producer’s home (“Cricket on the Hearth”)—can be gifts that change lives, while wishes that come true can bring bittersweet results (“Heart Transplant”). Many characters speak in Bradburyese, like the B-movie production assistant in “The Dragon Danced at Midnight” (“Willis Hornbeck drunk was . . . a wildman who blind-wrestled creativity in a snake pit, who fought an inspired alligator in a crystal tank for all to see”) or the technologically reconstituted Oliver Hardy describing his resurrection in “The Laurel and Hardy Alpha Centauri Farewell Tour” (“We were rushed to completion, flesh on flesh, nerve ends to neurons, ganglia to ganglia”). The title story describes a publisher who, overwhelmed by the manic word-spray from an untried writer, agrees to publish the longest road novel ever, only to watch his author literally and metaphorically run out of gas.

Slight, affecting, voluble, exuberant—by a writer who feels life’s even better than he can imagine.

Pub Date: April 2, 2002

ISBN: 0-06-621106-9

Page Count: 304

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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This is good Hemingway. It has some of the tenderness of A Farewell to Arms and some of its amazing power to make one feel inside the picture of a nation at war, of the people experiencing war shorn of its glamor, of the emotions that the effects of war — rather than war itself — arouse. But in style and tempo and impact, there is greater resemblance to The Sun Also Rises. Implicit in the characters and the story is the whole tragic lesson of Spain's Civil War, proving ground for today's holocaust, and carrying in its small compass, the contradictions, the human frailties, the heroism and idealism and shortcomings. In retrospect the thread of the story itself is slight. Three days, during which time a young American, a professor who has taken his Sabbatical year from the University of Montana to play his part in the struggle for Loyalist Spain and democracy. He is sent to a guerilla camp of partisans within the Fascist lines to blow up a strategic bridge. His is a complex problem in humanity, a group of undisciplined, unorganized natives, emotionally geared to go their own way, while he has a job that demands unreasoning, unwavering obedience. He falls in love with a lovely refugee girl, escaping the terrors of a fascist imprisonment, and their romance is sharply etched against a gruesome background. It is a searing book; Hemingway has done more to dramatize the Spanish War than any amount of abstract declamation. Yet he has done it through revealing the pettinesses, the indignities, the jealousies, the cruelties on both sides, never glorifying simply presenting starkly the belief in the principles for which these people fought a hopeless war, to give the rest of the world an interval to prepare. There is something of the implacable logic of Verdun in the telling. It's not a book for the thin-skinned; it has more than its fill of obscenities and the style is clipped and almost too elliptical for clarity at times. But it is a book that repays one for bleak moments of unpleasantness.

Pub Date: Oct. 21, 1940

ISBN: 0684803356

Page Count: 484

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Oct. 1, 1940

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