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HEROES AND VILLAINS

A PASTOR STEPHEN GRANT SHORT STORY

An entertaining, immersive jaunt with a formidable protagonist.

In this short story, Keating’s (Reagan Country, 2018, etc.) recurring cleric Stephen Grant steps up to help a popular comic-book creator targeted by armed assailants.

Grant, the pastor at St. Mary’s Lutheran Church on New York’s Long Island, agrees to attend a locally held comics convention with assistant pastor Zack Charmichael. The first night of the event involves a lifetime achievement award ceremony for writer and artist Wes Jenkins, whose work Zack greatly admires. Zack and Stephen’s after-dinner encounter with Wes and his wife, Kelly, turns out to be fortuitous for everyone when Stephen, a former Navy SEAL and CIA operative, thwarts would-be killers brandishing shotguns. The attack may be a reaction to Wes’ recent article criticizing the comic industry’s leftist slant. Wes, who co-founded J&H Comic Publishing with Simon Huck, says that he just wants to tell good stories, but some have taken exception to his work’s apparent conservatism, sometimes expressed through biblical allegories. Protesters make their presence known during the con’s next two days. When kidnappers eventually abduct someone, Stephen is quickly on their trail, and he has plenty of help—a convention’s worth of superheroes. The series’ protagonist remains a man of action even though the story isn’t novel-length. This relatively short piece is lighter in tone than previous outings, due mainly to its concentration on the cheery setting. Keating respectfully portrays the con as a mostly enjoyable experience—even though Zack is the only true comic-book aficionado. The story’s point of view is unmistakably conservative, but it doesn’t portray some characters’ extreme views as being typical leftist beliefs. Despite the story’s brevity, it manages to flesh out new characters, such as Wes and Kelly, although the mystery isn’t too difficult to puzzle out. Much of the comedy is appropriate to the setting, as when people assume that the pastors’ clerical garments are costumes honoring the real-life comic-book series Preacher.

An entertaining, immersive jaunt with a formidable protagonist.

Pub Date: June 21, 2018

ISBN: 978-1-71888-161-7

Page Count: 82

Publisher: CreateSpace

Review Posted Online: July 11, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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