More successful as history than fiction, which should intrigue readers with an interest in Oregon’s past.

GRIST

A STORY OF LIFE IN OREGON COUNTRY,1835-1854

Inspired by real-life pioneers, Marlen’s (Inside the Hatboxes, 2008, etc.) historical novel offers an unflinching look at life on the Oregon frontier.

Disgraced alcoholic physician William Bailey arrives in Oregon Country in 1835 hoping that life on the wild edge of North America might tame his demons. He quickly builds a life for himself among the Native Americans and French fur trappers along the banks of the Willamette River. Meanwhile, in Massachusetts, Margaret Jewett Bailey struggles to reconcile her Methodist faith with her fiery passions. Her restlessness inspires her to “sacrifice every earthly object” and become a missionary. Against her family’s objections, she makes the arduous journey to Oregon. There, she falls in love with William, and these two troubled, difficult people struggle to make a life together in a harsh, unforgiving environment. Marlen’s story is inspired by historical events: William was an early political leader in Oregon; Margaret wrote a thinly veiled autobiography, the first novel published in the region. Research is extensive (photographs and copies of Margaret’s letters accompany the text), and Marlen carefully marries historical truths with the fictional embellishments. Yet attempts to accurately depict the past occasionally veer toward the didactic, as when, on their wedding day, Bailey pauses to define an unfamiliar local term for Margaret: “Do you know about [a capote]?...It’s a coat made from a wool blanket. All the French Canadian trappers use them; they’re usually made from a Hudson’s Bay Company point blankets.” Extensive back story in the first half causes the book to drag: Margaret and William don’t meet until the book’s midpoint, and their courtship is brief and hurried. Their married life gets more attention, and this is no sugarcoated view of frontier romance. William’s Jekyll-and-Hyde personality—kind and thoughtful when sober, cruel and violent when drunk—dooms the relationship. After years of abuse, Margaret files for divorce, a bold move that mirrors her earlier efforts to escape her controlling father. She may be headstrong and selfish, but her fiery independence serves her well in an environment where the old rules don’t survive.

More successful as history than fiction, which should intrigue readers with an interest in Oregon’s past.

Pub Date: Aug. 1, 2011

ISBN: 978-0977975280

Page Count: 368

Publisher: Sunbird Press

Review Posted Online: Nov. 11, 2014

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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