An amusing, if drawn-out, satire of suburban life.
A modern-day twist on Flaubert’s Madame Bovary sets the story in small-town America.
Keech (A Hundred Veils, 2015) takes on a literary classic in this novel, which follows the romantic and social trials and tribulations of Emma Bovant and her husband, Charles. Emma is a suburban homemaker with professional aspirations; Charles is a caricature of the 21st-century social justice warrior, a tutor/social worker who struggles to make rent while insisting on buying organic food. Financial tensions between the two are simmering when Charles finds a new career goal and a potential sponsor. He decides to become a life coach to a wealthy local woman, Bea Doggit, who pays him $150 an hour for his services. Emma quickly becomes jealous of the relationship, professional or otherwise, developing between her husband and Bea; the first third of the book is mostly an account of romantic envy. Emma eventually realizes, however, that something larger is at play in her sphere. Bea, a realtor, is collaborating with a local pastor to push a major real estate deal through the small town. But for their plan to succeed, they must convince Andre Smyth, Charles’ friend from college, to sell his land along the river. Andre is the opposite of the local culture. Whereas Bea is a Bible-thumping, community-spirited denizen of the modern world, Andre is gay, Bohemian, and a self-avowed intellectual. As the reader realizes that Bea is manipulating Charles to exploit his friendship with Andre, Emma develops a sexual attraction to a man she can never have. Keech’s book never approaches the heights of Flaubert’s landmark novel, but it does cultivate a compelling sense of drama, especially when it focuses on the real estate plotline (At one point, Bea asks Charles for help with Andre: “We just think you might be the only one who can convince him to accept a fantastic price for his property”). Emma’s jealousy toward Bea, on the other hand, feels disproportionate early on, and readers may find her emotional struggle histrionic. Then again, the same could be said at times of Emma Bovary. This tale should please readers who enjoy romantic drama, and may be of interest to fans of Flaubert.
An amusing, if drawn-out, satire of suburban life.Pub Date: Sept. 1, 2017
ISBN: 978-0-9983805-4-4
Page Count: -
Publisher: Real Nice Books
Review Posted Online: Aug. 10, 2017
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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