Intelligent and fun, this fast-paced tale delivers kaleidoscopic settings and an adventurous love story.
Yarros (Ignite: Legacy, 2016, etc.) offers a shipboard romance between an extreme sports athlete and his ambitious tutor.
Incredibly wealthy Paxton “Pax” Wilder and three of his friends are the original Renegades, performing extreme sports stunts for their YouTube channel and dominating the X Games while finishing their college educations. Eleanor “Leah” Baxter is a senior at Dartmouth with a 4.0 GPA, majoring in international relations and planning for graduate school. When Leah is assigned as Pax’s tutor for a yearlong educational program onboard the ship Athena, she plans to use a businesslike approach. After all, her scholarship eligibility is tied to his grades as part of her contract, and continued funding for the documentary the Renegades are filming also relies on Pax’s academic success. When Pax pushes her into zip-lining at the ship’s launch party, her anger at his arrogance creates some distance. But soon, the spark between them becomes impossible to ignore. While negotiating the hazards of their new romance, they also must keep up with their studies, work on new stunts, provide documentary footage, and look for a traitor among Pax’s innermost circle. Unexplained accidents and rigged gear make this not only a betrayal of trust, but also a safety risk. There are other acts of treachery among the group members. And eventually, Pax will have to face the devastating consequences when Leah learns his secret. Pacing is swift and sure, foreshadowing is light and effective, and believable plot twists abound; the story races to its explosive, emotionally satisfying conclusion. Liberal but judicious use of profanity and love of wordplay (“I’m sure as hell not your beck-and-call girl. Especially not the call-girl part,” for example) enliven the narrative. And the chemistry between Leah and Pax absolutely sizzles. The tale, told in first person by each of them in alternating chapters, allows a deeper look at the characters’ fears, feelings, and ghosts. In Yarros’ skilled hands, these shifting viewpoints don’t feel contrived but like an essential device for enriching the plot. Even secondary characters are well-developed and their motivations explained. The exotic settings (Istanbul, Madagascar, etc.) and extreme sports stunts (parasailing, BASE jumping, etc.) never overwhelm the story; caught up in the events, readers enjoy an emotionally nuanced thrill ride. This escapist treat remains a page-turner until the end.
Intelligent and fun, this fast-paced tale delivers kaleidoscopic settings and an adventurous love story.Pub Date: Sept. 19, 2016
ISBN: 978-1-68281-268-6
Page Count: 400
Publisher: Entangled: Embrace
Review Posted Online: Sept. 7, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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