Nicely atmospheric but unsatisfying. Weak on plot, and the revelations (when they come) are pretty disappointing.
Impressionistic account of an orphan who marries a mysterious architect and comes of age in early 20th-century Ireland.
From the Brontës to Barbara Cartland, the poor orphan who marries a dark and brooding gentleman has been a romantic staple. McBride (The Land of Women, 2003, etc.) weaves a Celtic thread into the pattern, setting her tale in Dublin and the west of Ireland during the years just before WWI. Our heroine is young Dierdre, who grows up on the forlorn Great Blasket Island but comes to live at the Enfant de Marie Convent on the mainland after losing both her parents. There, she’s given a good education by the sisters, and in due course she asks to enter the convent as a nun herself. One of her fellow novices is Bairbre O’Breen, the daughter of a wealthy widow whose benefactions have supported the convent for years. Bairbre’s brother Manus, a young architecture student, often comes to visit and quickly falls in love with Dierdre—who wastes no time in forsaking the religious life to accept his proposal of marriage. Soon the young couple settle in Dublin, where Manus begins his career as assistant to a prominent architect. Although a baby son dies in infancy, Dierdre has two daughters who grow up into bright, happy girls. But the O’Breens are a family of secrets, and Dierdre soon finds that her mother-in-law is intent on having a grandson who will become a priest (even though both Manus and Dierdre have lost their Catholic faith) on account of a murky scandal far back in the O’Breen genealogy. Dierdre, for her part, has a mystery connected with the death of her parents that she’s loath to tell Manus. Who said the Irish can’t keep a secret? If this family were any less communicative they’d be mute.
Nicely atmospheric but unsatisfying. Weak on plot, and the revelations (when they come) are pretty disappointing.Pub Date: June 3, 2004
ISBN: 0-7432-5497-X
Page Count: 304
Publisher: N/A
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
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