This capably understated portrayal of a veteran soldier's singular postwar adventure is the first novel from a respected military historian (The Vacant Chair, 1993, etc.). The protagonist, identified only as ``the colonel,'' is a former Nazi tank commander and prisoner of war, retired and working intermittently as a translator, living with his wife in quiet anonymity in a small German village, many years after his country's surrender. When an American film company shooting an ``epic'' movie about the war asks him to serve as a consultant, his curiosity and his vanity drive him to join the crew on location in a neighboring country (apparently Italy), where the colonel endures casual affronts to his practiced dignity, and variously upsetting relationships with the film's forthright woman director, the egocentric actor who'll play him, the actor's awkwardly maturing son (who's enthralled by the colonel's military expertise), and the seductive actress playing his wife (who seems enamored of the man the colonel once was). As the fictional story he's watching blends in his mind with long-buried memories of combat experience, the colonel realizes ruefully that ``his life then had a richness it lacked forever after'' and that he too has been an actor—``in a play with unfortunate consequences, a mental strutting and posing that created bombed-out cities and tossed broken corpses into ugly arrangements.'' Mitchell succumbs to overplotting along the way, but brings his story to a highly effective climax and denouement, ending it with a dramatic flourish that curiously recalls a recent novel rather similar in theme and tone as well: Brian Moore's The Statement. Though it's not a fully realized work of fiction, this is a thoughtful, lucidly written character study and moral drama that augurs well for its author's new career as a novelist.
Pub Date: June 1, 1997
ISBN: 1-885983-11-5
Page Count: 216
Publisher: Turtle Point
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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