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THE VACANT CHAIR

THE NORTHERN SOLDIER LEAVES HOME

An insightful glance at the unique cultural and social milieu of the Union soldier. Relying extensively on diaries, letters, and other primary sources, Mitchell (History/University of Maryland; Civil War Soldiers, 1988) discusses how the Union soldier understood his military experience. Antebellum ideology used the family as a metaphor for one's country, emphasizing the ``Republican Mother'' who educated her sons as self-sacrificing patriots; thus, ``the centrality of home and the family made them central to the Northern soldier's understanding of the Civil War.'' Soldiers—serving under officers who often came from the same town and who were thought of as equals—regarded their generals as fathers, their officers as elder brothers, and the war itself as a family quarrel. That men soldiered with lifelong neighbors and friends meant that the Union soldier brought the value of the home front into battle with him, giving war a sense of purpose: It also frequently weakened military discipline. Mitchell discusses in depth the Union soldier's distinctive view of manhood; his complex relationships with white Southern women—and with black soldiers, who were generally excluded from the American ``family''; his peculiar brand of religion; and his attitude toward death in battle. Mitchell sees as significant the Union focus in the late Civil War against Confederate civilian society, a focus that weakened the Southern soldier's will to resist: Observing that the Union soldier's strength was that he fought the war with home in mind, he notes that ``the Confederate soldier fought the war the same way, and, in the end, that proved part of his weakness.'' An eloquent revival of the simple verities of a vanished era- -idealism, patriotism, small-town parochialism, sense of family and manhood, and fear of failing in the eyes of one's community—that drove the soldier of the North. (Twenty-five halftones)

Pub Date: Sept. 1, 1993

ISBN: 0-19-507893-4

Page Count: 208

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1993

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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