by Renate Dorrestein ; translated by Hester Velmans ‧ RELEASE DATE: May 21, 2019
Frighteningly clever. The haunting landscapes Dorrestein creates are as real as they are darkly fantastical.
A family’s demise unfurls in the shadow of a mysterious murder.
Its first half narrated by a gang of bullies, renowned Dutch author Dorrestein’s (A Crying Shame, 2011, etc.) brooding story begins in an outwardly utopian setting—a respectable Dutch housing estate where neat bamboo gardens are tended and traditional family roles are filled without objection. However, “in the sea of maternal bodies” that comprise the matriarchs of the neighborhood, one girl’s mother stands out. “Gazing at her, you’d feel so happy and dreamy inside that you couldn’t believe she could seriously be somebody’s mother.” Six-year-old Lucy and her mother live on the periphery of the estate—with two male lodgers named the Luducos—in a home where happiness is freely inhabited and not dictated by what’s socially acceptable. As the kids in the neighborhood note in amazement, Lucy lives by her own rules. She “had sailed a pirate ship” and “spilled hundreds of glasses of orange squash, too, without any dire fallout.” But the tides change when a new family arrives and the son becomes Lucy’s boyfriend. When Lucy’s mother wants to leave the neighborhood, a storm, both literal and figurative, rolls in, leaving the boy’s father dead in its wake and Lucy’s mother pegged as the murderer. Sworn to never talk about what happened, Lucy recites the lines she’s fed about that night, leaving the particulars of the crime a mystery. From here, Dorrestein’s idyllic town sheds its civilities to reveal a menacing portrait of domestic harmony disrupted. With her mother in prison, Lucy is left in the doting care of the Luducos. But at school, she resolutely suffers merciless bullying as atonement for her sins. While Dorrestein’s writing is terrifically bleak at its best, the macabre is deployed shrewdly. When Lucy gains control of the narrative, moments of tenderness—like a heartening correspondence she maintains with her mother in jail—peek through. As Lucy fumbles through her adolescence, and eventually starts a new life with her family on a Scottish island far away, Dorrestein’s tale becomes less a murder mystery and more a disquieting reflection on how people construct their own versions of the truth.
Frighteningly clever. The haunting landscapes Dorrestein creates are as real as they are darkly fantastical.Pub Date: May 21, 2019
ISBN: 978-1-64286-014-6
Page Count: 336
Publisher: World Editions
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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More by Renate Dorrestein
BOOK REVIEW
by Renate Dorrestein & translated by Hester Velmans
BOOK REVIEW
by Renate Dorrestein & translated by Hester Velmans
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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