by René Chalem ‧ RELEASE DATE: Dec. 2, 2014
A fine first novel from a writer with affecting wisdom.
Chalem, in his debut novella, looks at the role and limitations of art.
Elie Melach is a well-known, Egyptian-born Parisian artist who’s drifting quickly toward old age. He’s most famous for his black-and-purple painting The Children of Rwanda. The work was well-reviewed and sold for a healthy sum, but Melach feels somehow disgusted with his celebrated masterpiece. He now finds it difficult to produce anything, and he sets aside his canvases, still blank, thinking that they can’t be improved by his brush strokes. One day, he goes early to lunch and uncharacteristically orders a whiskey. Perhaps he’s just in a bad mood, but a creeping doubt settles over his mind, blocking out the myriad colors that make up his painter’s alphabet, and causing him to imagine only black. The conflicts of the world weigh heavily on him: Does any of his work matter, as he wallows in cafes while innocents die in a dozen wars around the globe? The newest turmoil is in Lebanon, where his fellow Jews are abetting massacres in Sabra and Shatila; he wonders: What is his part in that, his proper response? Must every artist chose between significance and happiness, or is the very notion of a choice the delusion of the creative mind? He tries to decide whether he is highly moral, tragically empathetic or just depressed. Family members, friends, employees and strangers wander in and out of Melach’s day, informing and reorienting his positions as either a witness or an active participant in life. Throughout the novel, the main character drifts about in a fine existential crisis, but it’s one that’s never boring. Chalem handles Melach with humor, compassion and openness that evokes the work of such authors as John Banville, Percival Everett and the late Alberto Moravia. His prose is a perfect mirror of his protagonist: unrushed, observant, musing, and belonging to a slightly earlier time. It pulls readers through its pages like a balloon on a string, leaving them buoyantly unaware of whatever inevitability awaits. This is a short book, but one that achieves grandeur through its smallness: The novella is the perfect medium for the story, and it makes a fine addition to the current renaissance of the format. Although this is Chalem’s debut publication, he’s a mature talent, and readers should take notice.
A fine first novel from a writer with affecting wisdom.Pub Date: Dec. 2, 2014
ISBN: 978-1503257801
Page Count: 168
Publisher: CreateSpace
Review Posted Online: Jan. 6, 2015
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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