A reader would be wise to enter Ravicka without hungering to know what happens next but looking forward to a perambulation...

HOUSES OF RAVICKA

In her fourth slim novel about the surreal and complicated city of Ravicka, Gladman (Prose Architectures, 2017, etc.) unfurls the meditative story of a city official searching for a lost house.

Jakobi, the Comptroller of Ravicka, is searching for a house that is somehow lost in order to confirm the location of a house that is invisible. Despite all Jakobi's measurements and calculations, No. 96 remains unfindable, disrupting Jakobi’s life and self-esteem. The lost house becomes a frustrating wound on Jakobi’s sense of reality, an aberration even for an official who monitors the locations of buildings in a city where the migration of buildings is an accepted fact. Jakobi’s search feels both urgent and meandering. The tantalizing mystery of how and why a building might be lost seems to be less of an engine for plot and more of a doorway constructed to allow the reader to pass through to a contemplation of the surreal concepts and images of the Ravickian world. Narrative logic and momentum give way to a spacious creation of ideas, sometimes expressed in vivid images and sometimes in didactic explanation of imagined facts. Jakobi is sometimes a man and sometimes a woman; an old acquaintance seizes control of the narration and then gets folded up and put away in a pocket; an unnamed person who lives in the invisible No. 32 claims the entire second part of the novel to reflect on the history of Ravicka’s invisible architecture. These fantastical details add up in a way that might have more in common with performance or installation art than with the expectations brought on by the assumption of a story.

A reader would be wise to enter Ravicka without hungering to know what happens next but looking forward to a perambulation through a gallery of beautiful images.

Pub Date: Nov. 1, 2017

ISBN: 978-0-9973666-6-2

Page Count: 152

Publisher: Dorothy

Review Posted Online: Aug. 31, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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