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SIDEWAYS

Skillful work about a friendship between two ultimately likable guys. But the movie will need zingers—the dialogue here is...

A fresh take on an evergreen: two men—one just divorced, one about to marry—spend a week together testing, then tying up, the bonds of their friendship.

Credit screenwriter Pickett for coming up with a debut that goes some distance before readers realize they’re on the road again in another buddy story (this one bought prepublication by Fox Searchlight Pictures). Pickett’s narrator, Miles Raymond, enlists sympathy and interest as a man riven by divorce, a writer shaken by rejections, and a wine expert sodden from too much hands-on research. Raymond’s bemused, literate observations make his account of a week spent with his friend Jack funny and perceptive. Miles and Jack, who’s about to marry, head out to celebrate Jack’s final week of bachelorhood in California’s Santa Ynez wine country. A handsome, seductive actor, Jack wants—surprise!—to spend this last week of freedom in sexual debauchery. Sensitive Miles tries to restrain him, but it’s useless—Jack and a comely blond go off and make bedroom noise. Miles isn’t alone: he’s met a woman who’s attracted to him, but he holds back, pondering the eternals: Would marriages survive if wives let their overcharged husbands fool around? Can friendships, marriages, and, yes, love itself, endure? Before matters turn ponderous, Miles and Jack decide to go hunting for wild boar with a kid they meet in a bar. The hunting scene and then another tryst between Jack and a zaftig waitress edge matters into the realm of slapstick and bedroom farce (movies are about action, after all). The week over, Jack heads to the altar with a broken nose and rib, while Miles decides to take Jack’s advice and make a date with the woman he met in wine country.

Skillful work about a friendship between two ultimately likable guys. But the movie will need zingers—the dialogue here is only adequate.

Pub Date: June 16, 2004

ISBN: 0-312-32466-9

Page Count: 368

Publisher: St. Martin's Griffin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2004

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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