by Rhea Galanaki ‧ RELEASE DATE: Sept. 9, 1996
The Life Of Ismail Ferik Pasha ($29.95; Sept. 9, 1996; 166 pp.; 0- 7206-0965-8): A compact historical novel based on the real life of its title character, a Cretan revolutionary captured during his country's struggle (in 186668) for independence from Greece. Taken to Egypt and raised as a Muslim, the eponymous Ismail becomes a respected military commander—and must participate, many years later, in an attack on his native land, which brings him to a painful reunion with his beloved brother and an even more painfully ironic resolution of his long search ``to discover in my life some focus impervious to change.'' Despite its penchant for summary and profusion of vivid battle scenes, Galanaki's memorable novel succeeds best as an acute and sympathetic study of a divided and guilty personality.
Pub Date: Sept. 9, 1996
ISBN: 0-7206-0965-8
Page Count: 166
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1996
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by Adriana Trigiani ‧ RELEASE DATE: Nov. 20, 2018
A heartfelt tale of love too stubborn to surrender to human frailties.
When Chi Chi Donatelli gave famous crooner Saverio Armandonada a manicure on a 1930s New Jersey beach, little did she know that the swanky singer would change her life.
After his childhood sweetheart married another man, Saverio left the security of his job on the factory line in Detroit, earning his father’s disapproval but opening wide the door to success as a big-band singer. Along his way to stardom, Saverio changed his name to Tony Arma and discovered a talent for romancing—but never marrying—the ladies. But once he meets Chi Chi, his bachelor days are numbered. From a large, boisterous Italian family, Chi Chi is eager to have a life like Tony’s, with the freedom to sing and travel the country. She wants no part of marriage with its shackles. Soon Chi Chi and Tony are touring together, eventually developing a profitable shtick, with Chi Chi writing bestselling songs and Tony serenading them to dreamy audiences. It’s only a matter of time before Tony proposes. After all, unlike his other girls, Chi Chi offers Tony not only beauty and charm, but also the stability of a home. The lovers’ work in the entertainment industry gives way to a marriage blessed with babies yet held apart by war. Once reunited, Chi Chi’s independence and Tony’s philandering further fracture their marriage. But as Tony’s path wends from woman to woman, Chi Chi forges a new life on her own terms. A mistress of the sweeping family saga, bestselling author Trigiani (Kiss Carlo, 2017, etc.) sets Chi Chi and Tony’s lifelong love affair against the grand stage of World War II through the postwar boom years and the women’s liberation movement, tracing a society catching up with Chi Chi’s determination to control her own financial and personal freedom.
A heartfelt tale of love too stubborn to surrender to human frailties.Pub Date: Nov. 20, 2018
ISBN: 978-0-06-231925-8
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 15, 2018
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by Elinor Lipman , Adriana Trigiani , Karen Dukess , Eloisa James , Audrey Bellezza , Emily Harding , Diana Quincy , Nikki Payne & Sarah MacLean
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by Yaa Gyasi ‧ RELEASE DATE: June 7, 2016
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
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A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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